Brook Andrew wins Australia Council Award For Visual Arts
The award acknowledges Andrew’s “outstanding and sustained contribution to Australian visual art.”
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The award acknowledges Andrew’s “outstanding and sustained contribution to Australian visual art.”
Industrial design meets straw marquetry via the age-old game of ‘exquisite corpse’.
“Drones have become this metaphor for our fear of technology” – Matthew Sleeth
Part of the Melbourne Design Week (MDW) 2020 program, Partu is Jansen and Nargoodah’s latest collaboration.
Tasmanian artist Robert O’Connor has won the 2020 Glover Prize with a unique take on landscape painting.
Shell stringing is not only women’s business – it’s a defining, unbroken tradition for Tasmanian Aboriginals.
As of Wednesday 25 March 2020 all galleries and museums Australia-wide will be closed, adhering to COVID-19 restrictions from the federal government. During this time Art Guide Australia will continue to publish and share the art, stories and ideas of artists across the country.
Outside Painting explores the messy boundaries between life and art.
For Fiona Hall, the things we throw away aren’t empty of meaning.
As artistic director of NIRIN, the 22nd Biennale of Sydney, artist Brook Andrew is bringing together over 90 artists, creatives, collectives and communities from Australia and across the globe.
Anthea da Silva has taken out the inaugural $75,000 prize with her portrait of Elizabeth Cameron Dalman OAM, founder of the Australian Dance Theatre.
Fraser Anderson conjures a retreat for our inner gremlins.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
Trevor Vickers reflects on his six-decade career in hard-edged abstraction, the value that Perth’s light offers painters, and how his latest exhibition at Art Collective WA focuses on a series of quieter works.
Now showing at Home of the Arts (HOTA), the sophomore Gold Coast Triennial, Here and Now, brings together 42 contemporary artists to represent the depth and dynamism of the city’s artistic community.
In a new exhibition at Australian Galleries, Kyoko Imazu’s intricate papercuts show worlds in miniature—Some of works are only 15 centimetres tall, yet their detail is meticulous.
