Philippe Parreno presents his films randomly rotated
For French artist Philippe Parreno, the show is itself art-in-progress, not merely a vehicle to display discrete works.
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For French artist Philippe Parreno, the show is itself art-in-progress, not merely a vehicle to display discrete works.
Amiel Courtin-Wilson has been announced as the winner of the 2016 Digital Portraiture Award for his submission titled Charles.
It’s an art historical convention that there is a difference between nudes and naked bodies. Nudes (both male and female) are meant to be pure idealised form, devoid of salacious overtones.
In the absence of words, visual correspondence facilitated an exchange between artists Julian Martin and Matlock Griffiths.
No.1 Neighbour: Art in Papua New Guinea 1966-2016 offers PNG’s “cultural expression, giving us insight into the history of contact, and the ongoing strength of kastom (customary law, religion and government).”
Artist Danie Mellor has been announced as the recipient of the 2016 Australia Council Fellowship for the Visual Arts.
Artists Mikala Dwyer (NSW) and Michelle Nikou (SA) have been announced as the recipients of the inaugural $20,000 NAVA Visual Arts Fellowship.
Fashion in galleries and art as fashion. Distinctions dissipate, consumers demand, and the hand is in the glove.
Brisbane-based artist Julie Fragar has won the $15,000 Tidal: City of Devonport National Art Award for her monochromatic oil painting titled Antonio Departs Flores on the Whaling Tide.
The French phrase trompe l’oeil literally translates to ’trick the eye’ and, over the years, this kind of painting has come to seem a bit kitsch.
Polly Borland’s latest photographic series titled Not Good at Human at Sullivan+Strumpf stems from her feelings of displacement after moving to Los Angeles.
Kerstin Thompson Architects (KTA) have been announced as the winning firm in the competition to design a new gallery for Arthur Boyd’s collection as part of the Bundanon Trust masterplan.
The paintings of Betty Kuntiwa Pumani form a part of a larger, living archive on Antaṟa, her mother’s Country. More than maps, they speak to ancestral songlines, place and ceremony.
A presentation of works by Robert Mapplethorpe curated by the British editor Edward Enninful, Enninful x Mapplethorpe, at the 2025 Ballarat International Foto Biennale, finds resonance in opposites while turning binary thinking on its head.
Auckland-born and raised artist Lisa Reihana is ever the optimist, creating two new works signifying social cohesion to hang outside two Australian arts venues—Ngununggula, and Sydney Contemporary at Carriageworks —just as dark divisions seek to undermine the value of migration and Indigenous sovereignty.
An exhibition of newly commissioned works at the National Art School gallery in Sydney brings to light the historic and ongoing ties between Indigenous and Asian-Australian communities.
In a world in which the new wave of AI is reframing our relationship with creative labour, how do artists negotiate an impending crisis of relevance and understand the true value of their work? Stephanie Wood reports.
A survey exhibition spanning the 30-year practice of Jennifer Mills brings together bodies of works grounded in precision and tenderness at Bunjil Place Gallery.
