Defying Empire: 3rd National Indigenous Art Triennial
The 3rd National Indigenous Art Triennial focuses on the resistance and strength of Indigenous people in the throes of Empire.
The 3rd National Indigenous Art Triennial focuses on the resistance and strength of Indigenous people in the throes of Empire.
Artists respond to the toxic legacy of nuclear testing in Black Mist Burnt Country.
Vicki Varvaressos had been painting for more than two decades when she first started producing abstract works. “I remember when I first did it,” she says, “it was probably quite shocking!”
Brian Robinson Wins Hazelhurst National Art On Paper Award 2017 with his piece titled Land Sea Sky – Charting our place in the universe.
While Marvel satisfies the hunger for alternative universes, curator Amanda Slack-Smith at Queensland Art Gallery | Gallery of Modern Art has sought to create an exhibition that both enjoys and unpacks the Marvel experience.
Since Melissa Loughnan’s Melbourne gallery Utopian Slumps closed in 2014, people have been waiting with baited breath to see what the Melbourne gallerist and art historian would do next. The wait is over with the release of her new book Australiana to Zeitgeist: An A-Z of Australian Contemporary Art.
The Melbourne-based artist describes being transfixed by the POV shot of headlights on a two-lane road which opens David Lynch’s 1997 film, Lost Highway.
The true marker of fame today might be whether one has their own sneaker design. By this criteria, Kanye West, Barack Obama, Rihanna and Damien Hirst are among the celebrities of our time.
Biennale curator, Natalie King, is something of an accomplice to one of Australia’s brightest yet more elusive artists.
Cultural empowerment, artificial intelligence, the music biz, the ethics of criticism and the quest for perfection: these are just a few of the topics being explored by Vivid Ideas 2017.
The sensationalist stories surrounding Brett Whiteley (1939-1992) have long-captured Australia’s attention.
Winikoff has been a passionate advocate for the arts for 35 years, 22 of those at the helm of NAVA.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
Drawn from the Cruthers Collection of Women’s Art at the University of Western Australia (UWA), Lawrence Wilson Art Gallery’s show Place Makers, reframes the artists—who just happen to be female.
Spring1883, Melbourne’s interactive and immersive fair returns, celebrating the collision of contemporary art installed amongst 18th century decor of The Hotel Windsor.
In its 24th year, Australia’s most prestigious award for small-scale sculpture has announced its winners for 2025, with the 54 finalists now on display at Woollahra Gallery at Redleaf.
