HERE&NOW17: New Photography
Traditionally, photographs reveal the character of places like Perth through iconography or colour (Bankwest Tower, sunsets). “This is the opposite of that,” says curator Chelsea Hopper.
Traditionally, photographs reveal the character of places like Perth through iconography or colour (Bankwest Tower, sunsets). “This is the opposite of that,” says curator Chelsea Hopper.
And so, it is with sweet reluctance that we farewell Stills Gallery.
Crafted during Japan’s Meiji period, kuchi-e are not simply beautiful illustrations, but are ways of understanding Japan’s social and aesthetic history.
During a career spanning three decades Hearman has become known for painting weird, moody vignettes rendered in deep chiaroscuro against amorphous backgrounds.
ACE Across, part of Adelaide’s new contemporary art space ACE Open, is not quite finished in a way that perfectly accommodates Emmaline Zanelli’s solo show RIFE MACHINE.
The 10th National Indigenous Art Awards were announced on 27 May to coincide with the 50th anniversary of the 1967 referendum and the 25th anniversary of the landmark Mabo decision.
Congratulations to Fiona Foley, Peter Powditch AM and Tim Storrier AM who are the recipients of the 2017 National Art School Fellowships.
Congratulations to Sarah Contos for winning the inaugural Ramsay Art Prize.
In his new exhibition, Sam Leach loads an artistic Hadron Collider with biology, op art and Russian cosmism.
Australian born, London-based multidisciplinary artist Dr Christian Thompson has been announced as the recipient of the $80,000 Mordant Family VR Commission for his proposed work Bayi Gardiya (Singing Desert).
Quilty told Art Guide Australia, “I’ve been trying to distill the psychosis of the world into paintings, without leaving my studio… I’ve been working with live models, from all parts of the human condition, very young and very old, male, female, disabled and myself…”
Winter often functions as an artistic inspiration and it’s this singular word, along with its various emotions and associations, that is being explored in the aptly titled Winter at Gippsland Art Gallery.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
In her solo exhibition at the Art Gallery of New South Wales, Raquel Caballero imagines L Frank Baum’s wonderful world of Oz in full, glittering technicolour.
Ahead of her solo exhibition at Niagara Galleries, Vongpoothorn contemplates the ideas sprouted during her residency, and how they have transformed once returned to her Canberra studio.
Curators Martyn Jolly and Tony Oates’ Light Source, brings together ten artists whose work incorporates combinations of light projection and performance at Drill Hall Gallery in Canberra.
