Bella Kelly
A touring retrospective of Bella Kelly’s work at John Curtin Gallery.
Advertisement
Advertisement
A touring retrospective of Bella Kelly’s work at John Curtin Gallery.
Outside the art scene, it may not be understood that, for the selected Australian artist, the Venice Biennale is an opportunity of Olympian stature.
Glenda Orr’s Log: Filter-Frame-Forest, is a restrained yet revolutionary exhibition.
Ngarrindjeri weaver Yvonne Koolmatrie has been announced as the winner of the 2016 Red Ochre Award.
It was a “lovely fluke”, says exhibition curator Una Rey, that Black White & Restive opened on the first day of National Reconciliation Week this year. But to focus solely on that, she explains, would be misleading.
Drawn from founder and director Judith Neilson’s ever-expanding collection, the show features more than 30 videos, paintings, drawings, sculptures and multimedia installations by Chinese artists.
The Winter Masterpieces series opening in June 2018 will feature 150 iconic works from New York’s Museum of Modern Art (MoMA).
An exhibition at the Koorie Heritage Trust (KHT) pays tribute to Bellear’s work.
More than 3000 pieces are on display, representing only 75 per cent of Roche’s collection…
The Art Gallery of South Australia acquired Sue Kneebone’s works Neat Drop and Angel Inn…
Eight contemporary artists turn their attention to the joys and challenges of motherhood in Stockroom’s group show MUM.
Op Art challenges its audience and makes them question what they are seeing.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
Trevor Vickers reflects on his six-decade career in hard-edged abstraction, the value that Perth’s light offers painters, and how his latest exhibition at Art Collective WA focuses on a series of quieter works.
About Face is a smart piece of marketing. The new book on portrait painting from Australia and New Zealand has a mission to change buyers’ minds about the field. But as Jane O’Sullivan discovers, any sales pitch wears thin if it’s repeated often enough, and the close attention to how portrait painting is received by the market means that other important conversations fade to the background.
In GHOSTLAND, her new exhibition at the ANU Art & Design Gallery, Julie Gough continues her lifelong inquiry into gaps and silences—while conjuring the apparitions that haunt Tasmania’s colonial past.
