To the River
Opportunity beckons at the Murray Art Museum Albury for local Jo Davenport’s expressive, layered and shifting paintings.
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Opportunity beckons at the Murray Art Museum Albury for local Jo Davenport’s expressive, layered and shifting paintings.
The annual John Fries Award for emerging artists has been won by Eric Demetriou.
In a world of porous borders, artist Ivan Sikic traverses contexts and countries drawing the global gaze to social justice issues.
Nicholas Mangan’s practice mines themes of extended time, the geological periods that we try to define but can’t quite grasp, and the impacts of capitalism on the environment.
“The sculptures touch on stories of migration, of being out of place, of being the ‘arrivist’.” Weaving a folkloric story, deeply connected to the landscape, Due North hinges on Anderson’s multidisciplinary practice.
Blanchflower’s Canopy series is being showcased at the newly refurbished Drill Hall Gallery at ANU. The solo show spans over 30 years of work and features paintings borrowed from national, state and private collections.
As titles go, Genesis of a Painter: Guy Warren at 95 is pretty literal. The exhibition, which was curated by Barry Pearce, former curator of Australian art at the Art Gallery of NSW, spanned Warren’s entire career, right up to 2015.
A major focus of Parr’s practice over the last four decades has been the collection of information, artists’ ephemera and documentation of experimental practitioners, both international and Australian.
The welcoming atmosphere of the room is enhanced by carefully chosen chamomile-lavender scented candles. I’ll sit in a chair while you can sit on the couch, and so we can begin our art therapy session.
Presenting the work of six artists, Close to home is the second Dobell Australian Drawing Biennial.
These locks are open confessions, vows taken to withstand time, intended to be part of the fabric of a place.
Harold Thomas, the artist who designed the Australian Aboriginal flag in 1971, has been declared the overall winner of the 33rd Telstra National Aboriginal and Torres Strait Islander Art Award.
Josina Pumani’s electric ceramic work Maralinga—recently recognised at the National Aboriginal and Torres Strait Islander Art Awards— deftly excavates a long-hidden past.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In an expansive show at the Chau Chak Wing Museum, seven leading Australian ceramic artists have reinvigorated one of Australia’s oldest museum collections by creating a contemporary potter’s quarter—known as the ‘kerameikos’ in Ancient Greece.
In GHOSTLAND, her new exhibition at the ANU Art & Design Gallery, Julie Gough continues her lifelong inquiry into gaps and silences—while conjuring the apparitions that haunt Tasmania’s colonial past.
Developed in 2022 by Artback NT as part of Apmere Mparntwe—the Australian Ceramics Triennale— touring exhibition Clay on Country, showing now at New England Regional Art Museum, showcases the diversity of ceramics in the Central Desert.
