Andrew Browne wins Geelong contemporary art prize
Congratulations to Andrew Browne who has been awarded the $30,000 Geelong contemporary art prize for 2018.
Congratulations to Andrew Browne who has been awarded the $30,000 Geelong contemporary art prize for 2018.
A rare opportunity begets a rare challenge: extract 130 years of the Museum of Modern Art’s rich collecting in 200 works or less.
Victorian Premier Daniel Andrews and Minister for Creative Industries Martin Foley met at the Arts Centre Melbourne last weekend to announce plans for a major redevelopment of Melbourne’s Southbank arts precinct.
Dr Barbara Piscitelli AM is a leading academic and early childhood educator. She curated the first exhibition at Brisbane’s new Gallery of Children’s Art (GoCA), Starting Young.
Brodie Ellis’s video work, A Crystal World, 2016, cuts together footage of Australian mining explosions, sourced online, into a slow motion sequence.
A collection of full-scale concrete barriers, painted in Yves Klein’s trademark blue, rest in an untidy pile on a gallery floor.
A unique and unprecedented collaboration between four galleries in the Hunter region, the Hunter Red suite of exhibitions aims to celebrate the Indigenous culture, social diversity, iconoclastic spirit and creative flamboyance of this growing area of NSW.
This year John Mawurndjul, from Arnhem Land, NT, and Mavis Ngallametta, from the Aurukun community, Qld, both received Red Ochre Awards.
Albert began as a trainee at the Queensland Art Gallery 17 years ago. His success was propelled by membership of proppaNOW – a Brisbane-based art collective. And he is eager to reciprocate the favour.
“Art has always served as a record of our cultural lives,” says artist Jane James when explaining the larger ideals behind her work.
John Young has embraced the potential of technology, even while continuing to paint the old-fashioned way – very carefully.
Hayley Megan French paints landscapes that express, via abstraction and minimalism, a connection to place.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
Offering a “new kind of hope,” Jacobus Capone’s solo show, End & Being, is the inaugural exhibition at the National Centre for Environmental Arts in Halls Gap.
Embodied, the first iteration of Arts Project Australia’s new exhibition series, Limitless, sees artists Bronwyn Hack and Mark Smith create their most ambitious works yet, with the body at the centre of it all.
Drawn from the Cruthers Collection of Women’s Art at the University of Western Australia (UWA), Lawrence Wilson Art Gallery’s show Place Makers, reframes the artists—who just happen to be female.
