Moffatt in Venice
Biennale curator, Natalie King, is something of an accomplice to one of Australia’s brightest yet more elusive artists.
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Biennale curator, Natalie King, is something of an accomplice to one of Australia’s brightest yet more elusive artists.
Cultural empowerment, artificial intelligence, the music biz, the ethics of criticism and the quest for perfection: these are just a few of the topics being explored by Vivid Ideas 2017.
The sensationalist stories surrounding Brett Whiteley (1939-1992) have long-captured Australia’s attention.
Winikoff has been a passionate advocate for the arts for 35 years, 22 of those at the helm of NAVA.
As Long as the Night Is Dark is a fantasy project for curator Simon Pericich.
Currently showing at Griffith University Art Gallery, Red Green Blue is a three-part exhibition series that explores the moving image in Australia from the 1970s to the present.
Peter Powditch is not one to do things by halves; now several shows pay dues to the mark he’s left on Australia’s psyche.
Melinda Schawel’s work is ambiguous in interpretation. On the one hand, her drifting images bring to mind the trajectory of stars, geography, mapping; on the other hand, a macro view of some organism, or even molecular structures.
Steve Dow spoke to Julie Rrap as she was preparing for the show, Under the Sun: Reimagining Max Dupain’s Sunbaker.
The most recent recipient of the Contemporary Art Tasmania’s Curatorial Mentorship Program, Emily Bullock, has curated Passages, a mixed media exhibition that includes six artists from the UK and Australia whose works map the experiences, both subjective and sensory, that connect us to people and places.
Melbourne-based artist Tomislav Nikolic has won the $80,000 2017 Bulgari Art Award.
Melbourne is the next destination for the immersive work EXIT that visually maps the intricacies of globalisation.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
In her latest exhibition at THIS IS NO FANTASY, Ellen Dahl presents works from an ongoing photographic series that has captured many sites—from the Norwegian archipelago Svalbard to Tasmania—creating a dialogue between works that center place.
In GHOSTLAND, her new exhibition at the ANU Art & Design Gallery, Julie Gough continues her lifelong inquiry into gaps and silences—while conjuring the apparitions that haunt Tasmania’s colonial past.
Trevor Vickers reflects on his six-decade career in hard-edged abstraction, the value that Perth’s light offers painters, and how his latest exhibition at Art Collective WA focuses on a series of quieter works.
