The Dark Matters seems less like a meditation on the dark things that actually do matter (although some artists do delve into this territory) and more like an exercise in good interior decoration. It is visually very harmonious.
In his new exhibition deKonstruKt, Raftopoulos’s desire is to “debase this belief system” that surrounds us – our historical and contemporary narratives.
The defining theme in eX de Medici’s paintings is a consistent interrogation of power.
The biggest challenge for artistic director Leigh Carmichael, mastermind behind Hobart’s hugely successful winter festival Dark Mofo is to keep it mysterious and energetic.
Traditionally, photographs reveal the character of places like Perth through iconography or colour (Bankwest Tower, sunsets). “This is the opposite of that,” says curator Chelsea Hopper.
And so, it is with sweet reluctance that we farewell Stills Gallery.
Crafted during Japan’s Meiji period, kuchi-e are not simply beautiful illustrations, but are ways of understanding Japan’s social and aesthetic history.
During a career spanning three decades Hearman has become known for painting weird, moody vignettes rendered in deep chiaroscuro against amorphous backgrounds.
ACE Across, part of Adelaide’s new contemporary art space ACE Open, is not quite finished in a way that perfectly accommodates Emmaline Zanelli’s solo show RIFE MACHINE.
The 10th National Indigenous Art Awards were announced on 27 May to coincide with the 50th anniversary of the 1967 referendum and the 25th anniversary of the landmark Mabo decision.
Congratulations to Fiona Foley, Peter Powditch AM and Tim Storrier AM who are the recipients of the 2017 National Art School Fellowships.
Congratulations to Sarah Contos for winning the inaugural Ramsay Art Prize.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
Even though women currently outnumber men in the arts by two-to-one, the industry remains rife with gender disparities from income to accommodating motherhood. So why, asks Neha Kale, is the growing visibility of female-identifying artists falling short of genuine, material change?
Trevor Vickers reflects on his six-decade career in hard-edged abstraction, the value that Perth’s light offers painters, and how his latest exhibition at Art Collective WA focuses on a series of quieter works.
Artists need not fear the spectre of AI-generated art. Instead, Oslo Davis suggests, we need to start reaping the rewards.
