John Stezaker: Lost World
Not unlike the vintage photographs he works with, John Stezaker was unearthed after decades of obscurity.
Not unlike the vintage photographs he works with, John Stezaker was unearthed after decades of obscurity.
Flower Feelings, a new zine by Adelaide-based artist Lucy Thomas which combines the symbolic meaning of flowers with personal anecdotes, is being launched as part of the exhibition Magic Zine: YOU ARE ART at Murray Bridge Regional Gallery.
Gallery director Steven Joyce says the contrast between Garland’s black-and-white photographs and Usmiani’s colourful work will present well visually. “They’re showing jointly and will feed off each other,” he says.
John Nicholson’s latest body of work draws on industrial production, both in its medium and as its muse.
Spinifex is the material of choice for Macnamara, who twists, coils and weaves the grass to create forms that are at once delicate, intricate, complex and subtle.
Without seeds we would starve and The Last Seed was inspired by the threat posed by climate change to the so-called ‘doomsday’ seed vault in Norway.
Congratulations to Deanna Hitti who has won first prize in the 2018 Fremantle Arts Centre Print Award with her artist’s book titled, TOWLA.
Ken Unsworth met with Brad Buckley to discuss his upcoming exhibition at the National Gallery of Victoria, the publication of a new monograph about his work, and his ongoing desire for creative control.
Bringing together 20 projects from Australian and international artists, mathematicians, scientists, psychologists and designers, PERFECTION positions its theme as neither virtue nor vice.
The question was posed to four Melbourne curators, ‘what are you currently excited about in the Melbourne art scene?’
Congratulations to Natasha Walsh who has been awarded the 2018 Brett Whiteley Travelling Art Scholarship.
Sydney Contemporary, like any art fair, is a massive marketplace full to bursting with artworks that collectors can take home, if the price is right.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
Rigg Design Prize has announced its winner for 2025, in a celebration of early and established designers, the innovative works are on display at The Ian Potter Centre.
For decades, beginning well before the advent of social media, Barbara Kruger’s prescient use of words and text has invited people to consider their context in contemporary society. In Brisbane, between 4–7 September, audiences may experience her concise, dynamic aesthetic within the internationally acclaimed Gems delivered by choreographer Benjamin Millepied and the L.A. Dance Project.
The winning painting of this year’s Archibald Packing Room Prize reflected a changing of the guard in the packing room, as well as an evolution of the broader prize, with artists increasingly choosing to paint their fellow artists. The Archibald Prize 2025 currently is on display at Geelong Gallery.
