Cassils: Alchemic
Elucidated with a level of technical finesse that Loxley describes as “dazzling,” Cassils’ work is fierce, raw and unflinching.
Elucidated with a level of technical finesse that Loxley describes as “dazzling,” Cassils’ work is fierce, raw and unflinching.
After Nature is filled with works that are aesthetically alluring and spectacular in scale.
Memento, comprising more than a dozen oil paintings, has an elegiac quality. Gannon says the works were mainly created from memory rather than setting up on site for an exercise in “look and put”.
Melbourne Design Week features over 170 events including exhibitions, screenings, talks, tours and workshops, spanning throughout NGV and greater Melbourne.
Piers Greville has won the 2019 Glover Prize, awarded for landscape paintings of Tasmania. The Melbourne-based artist took out the $50,000 prize with his bold graphic painting, Pedder Prime Cuts.
The set-up of Lydia Wegner’s staged photographs is unassuming. Cast from readymade materials the results are otherworldly.
When staff took five local artists through the Tasmanian Museum and Art Gallery (TMAG) collection to see what might grab them, the idea was to eventually have these emerging and mid-career artists show new drawing works in the gallery.
Fiona Abicare works at the junction between contemporary art and interiors, always creating directly in relation to a certain site or context.
Undercurrent seeks to broaden how we acknowledge the Frontier Wars and massacre sites which scar country.
Virtual reality and art are not often paired together, but last year Sydney-based artist Joan Ross took the plunge in this still-developing medium after being awarded the second Mordant Family VR Commission.
Ruth Cummins is interested in the symbolism attached to methods of domestic improvement.
Three decades after Ana Mendieta’s death, Connecting to the Earth brings the Cuban artist’s work to Brisbane’s Institute of Modern Art (IMA), exploring what close communion with nature could look like in contemporary Australia.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
In its 18th year, the National Photographic Portrait Prize celebrates photographic portraiture from emerging and established artists, highlighting what it means to be Australian, through photographs of its people.
Gabriela Burkhalter’s The Playground Project at Incinerator Gallery reinvents the typically serious installation space, inviting children to play, reminding us of its importance within the arts.
In celebration of Artbank’s 45-year anniversary, two major exhibitions and a publication are on display. View, in pictures, Artbank’s Sydney exhibition, Art Text/Text Art.
