Queer abstraction in …(illegible)…
First-time curator Andrew Atchison focuses an inquiry into queer abstraction, challenging how we comprehend and view queer art.
First-time curator Andrew Atchison focuses an inquiry into queer abstraction, challenging how we comprehend and view queer art.
Steve Dow looks at a number of artists who see VR as loaded with both hope and fear.
Floyd translates politics and philosophy through a cast of anthropomorphic sculptures.
The influence of music, particularly classical, jazz and instrumental music, flows through Bakker’s solo show Resonant Forms.
Sydney University has launched a portal about the remote Ngaanyatjarra world, created in consultation with the community, its contents approved by elders.
JamFactory curator Caitlin Eyre explores the Barossa region’s long-standing connection to Germany in Kinder, Küche, Kirche: Revisiting the Traditions of Barossan Women’s Folk Crafts.
Al Munro’s latest exhibition experiments with translating the content of paintings back into textiles.
The Housing Question—an expansive show by artists Helen Grace, Narelle Jubelin and Sherre DeLys—examines the multiple public and private dimensions of housing.
A group exhibition that seeks to highlight Indigenous knowledge and insights into natural ecologies.
Unearthing relationships between the depictions of Western Australian flora and the state’s Indigenous, colonial and future legacy.
One of the many interesting things about Bugai’s oeuvre is her stylistic diversity. Tight controlled dot-work sits comfortably alongside – and sometimes underneath – loose brushwork.
For those familiar with Bond’s work, themes of eye-watering illusion and the craft of trompe l’oeil are all but unfamiliar.
holemtaet hemia (hold this/ hold this tightly) is a new solo exhibition from Shari O’Dwyer at The Condensery, Toogoolawah, Queensland, that explores the woven memories between generations of South Sea Islanders in the Australian colony.
For artist Joel Sherwood Spring, working in video offers an entrée, with accessible technologies and immediacy, to his ongoing fields of enquiry about identity and capital, on display at his show Diggermode 2: Cloud Ceding at the Institute of Modern Art in Brisbane.
Tender Comrade, currently on show at Sydney’s White Rabbit Gallery, creates a new vocabulary of queer kinship by reimagining the relationship between artworks, bodies and space.
For contemporary jeweller Kyoko Hashimoto, an exhibition at the Art Gallery of South Australia marks a shift in her approach to materials and method, with a renewed focus on sustainability.
Ahead of her solo exhibition at Niagara Galleries, Vongpoothorn contemplates the ideas sprouted during her residency, and how they have transformed once returned to her Canberra studio.
In our ongoing series, Shelf Portraits, Art Guide writers recommend the books—recently published or deserving of more attention—that shed new light on an idea that has long simmered in the art world or has helped them see a familiar medium in a different light.
