As the 2017 Research Fellow at MAAS (the Museum of Applied Arts and Sciences), Sydney-based artist Kate Scardifield had access to a treasure trove of antique scientific equipment, charts and archival material.
A fascination with distorting the grid underpins both current exhibitions at Flinders Lane Gallery: Zero Zero Zero by Richard Blackwell and Particle Fever by Dion Horstmans.
It’s no secret that museum and gallery visits positively benefit kids; teamLab’s Future Park takes it to the next level.
The New Alchemists are “Some of the most engaging artists working internationally in the cutting-edge fields of art and science today”
If you ask Dana Lawrie about the title of her latest show Grasp The Nettle, the artist replies, “It’s about approaching something unpleasant, but approaching in a way that’s brave. It’s about doing something as a way of accepting a certain thing, or learning more about it.”
The work of Hilarie Mais presents an uncommon combination: the geometric and abstract married – unexpectedly, successfully – with the atmospheric and the organic.
The Corsini Collection narrates an influential Florentine family’s story from the Renaissance through to its astonishing modern history.
The program for the 2018 Melbourne Art Fair has been announced. This year the fair has been divided into three broad categories. The biggest part of the show will be the Galleries section with 40 contemporary art galleries from Australia, New Zealand and Southeast Asia participating.
Immigration, displacement and memory are the impetus for a new series of embroideries by Adelaide-based artist Nina Frigault.
Congratulations to Sydney-based artist Travis De Vries who has been awarded the $50,000 NSW Aboriginal Arts Fellowship.
From Berlin to Melbourne – history, place and the provenance of everyday materials tie together the practice of Catherine Evans.
Caz Haswell presented cunning facsimiles of ordinary things; she rendered the familiar strange and invoked the eerie and the uncanny.
Virtuosic digital artistry is on show in Serwah Attafuah’s installation The Darkness Between the Stars, currently showing at ACMI.
A major retrospective at the National Gallery of Australia in Canberra sheds light on the legacy of Anne Dangar, featuring over 180 objects that position her as a pioneer in European Cubism and Australian abstraction.
The theme for the 10th iteration of Parrtjima, the Aboriginal festival of light that takes place annually in the Northern Territory, is ‘timelessness’. The festival aims to reflect Indigenous culture and beliefs: both ancient knowledge and contemporary concerns.
Equal parts monumental and fleeting, the sand sculptures of French artist Théo Mercier chart the histories—beyond our lines of vision—that a landscape reveals and conceals. Mercier’s MIRRORSCAPE is now showing at Mona.
In his latest exhibition, now showing at Bett Gallery, Postmodern painter and writer Imants Tillers is influenced by a variety of sources including the metaphysical style of Italian artist Georgio de Chirico.
The intricate paintings of Nusra Latif Qureshi, now showing at the Art Gallery of New South Wales, remake and reroute imperial narratives and trace the borders of the shifting self.
