21st Biennale of Sydney: Marlene Gilson and N.S. Harsha
The lived experiences of Marlene Gilson and N.S. Harsha are separated by both time and space.
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The lived experiences of Marlene Gilson and N.S. Harsha are separated by both time and space.
To coincide with The Field Revisited at NGV Melbourne, local Melbourne galleries have programmed complimentary shows. Most explore the influence of The Field on contemporary art practice, especially abstract art made today, often infused with colour that pops.
Tasmanian artist Nigel Hewitt meditates on the role of fire as a force of destruction, regrowth and change in his exhibition Recinder.
Transparency and other worries presents a new body of work at Brisbane’s Institute for Modern Art in which the artist probes our distanced relationship to mining.
Bold, obsessive and geometric. These are some of the words used to describe Carey Merten’s paintings.
One of the most intriguing highlights of the Next Wave Festival 2018 is actually not, strictly speaking, an artwork by one of the more than 40 creators selected to participate in the showcase of experimental art.
In Vanishing Point five artists come together to draw a net around the nebulous nature of islands.
Minister for the Arts Mitch Fifield announced on 21 April that Sam Walsh AO has been appointed the next Chair of the Australia Council for the Arts. Walsh succeeds outgoing Chair Rupert Myer AO and will commence a three-year term on July 1.
Born in Canada, Ciara Phillips has lived in the Scottish city of Glasgow for some time. Since its first modest outing in Hamburg, her ongoing project Workshop has made eight further appearances and the MCA installation is the latest incarnation of this experimental series.
Examining the poetics, textures and vernacular languages of Mexico City are 12 artists who have lived or worked there, participating in the mutual transformation of the city.
A new exhibition at Burnie Regional Art Gallery, titled Push, Pull, Press, explores the multi-faceted world of etching, linocutting and engraving.
After a decade working at Tolarno Galleries in Melbourne, Radonich is keenly aware of the challenges she faces in stepping away from a big brand.
Josina Pumani’s electric ceramic work Maralinga—recently recognised at the National Aboriginal and Torres Strait Islander Art Awards— deftly excavates a long-hidden past.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In Anmatyerr artist Elizabeth Mbitjana Pitijana’s first solo exhibition in Melbourne—which focuses on the Central Desert food source Arnwekety (bush plum)—the influence and love of her Country and culture is palpable. Elizabeth Mbitjana Pitijana is now showing at Niagara Galleries.
Melbourne Art Fair has announced its 2025 line up, with 60 galleries and Indigenous art centres slated to feature alongside some major international commissions and public programs.
A new event has arrived in Melbourne’s cultural calendar with the inauguration of the Melbourne Sculpture Biennale: an exhibition that aims to showcase the breadth and diversity of contemporary sculpture in Victoria.
