All Auras Touch
The compassionate, connective relationship one can potentially have with one’s self, as well as with others, is the fertile grounding of Kate Mitchell’s large-scale installation All Auras Touch.
The compassionate, connective relationship one can potentially have with one’s self, as well as with others, is the fertile grounding of Kate Mitchell’s large-scale installation All Auras Touch.
The Island delves into Ah Kee’s hard-hitting critiques of Australia.
When Caitlin Franzmann discusses the larger ideals behind her art practice, she mentions the ambition of “invoking what is bigger than ourselves.” In our podcast conversation Franzmann talks about this approach while also touching upon her latest installation and sound work showing at Maitland Regional Gallery.
In Shiver, curator John Stafford notes that the shark has little profile in the history of art.
This summer, the exhibition Water, which features 40 works by both Australian and international artists, asks visitors to take the time to really think about this precious resource.
An exhibition titled Animal Nation may, on the surface, presuppose a simply figurative display of animal life.
The notion of a worthy adversary is an ancient tradition. Matisse & Picasso narrates the artists’ intense mutual scrutiny, public disagreement and praise-via-appropriation.
In Elena Papanikolakis’s paintings, personal history sat side by side with ancient history.
Through subtle sculptural gestures, Jenny Loft offers meditations on place and the importance of environmental care.
ACMI’s new commissioning series involves 3 annual awards of $80,000 each, dedicated to helping young artists realise new work.
Jumaadi’s exhibition My love is an Island Far Away at Mosman Art Gallery has been years in the making.
If you’ve been around the art world for awhile, it’s easy to forget that a lot of people can still find the whole thing intimidating.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
Offering a “new kind of hope,” Jacobus Capone’s solo show, End & Being, is the inaugural exhibition at the National Centre for Environmental Arts in Halls Gap.
For contemporary jeweller Kyoko Hashimoto, an exhibition at the Art Gallery of South Australia marks a shift in her approach to materials and method, with a renewed focus on sustainability.
Rigg Design Prize has announced its winner for 2025, in a celebration of early and established designers, the innovative works are on display at The Ian Potter Centre.
