The more things change, the more they stay the same. What can a 500-year-old triptych by Hieronymus Bosch tell us about the current political climate?
“Dooralong is just a valley populated by horses, cows and trees, but it’s very beautiful to me,” says Belynda Henry of her home in New South Wales.
Showing at Devonport Regional Gallery, the Burnie-based artist’s work explores his ancestors’ past, alongside the emotion and memory of living on an Aboriginal mission.
In Brooke Leigh’s video Searching For Alice, 2015-2017, scenes of a deciduous forest bereft of leaves are interspersed with close-up shots of a young woman’s mouth.
Congratulations to Andrew Browne who has been awarded the $30,000 Geelong contemporary art prize for 2018.
A rare opportunity begets a rare challenge: extract 130 years of the Museum of Modern Art’s rich collecting in 200 works or less.
Victorian Premier Daniel Andrews and Minister for Creative Industries Martin Foley met at the Arts Centre Melbourne last weekend to announce plans for a major redevelopment of Melbourne’s Southbank arts precinct.
Dr Barbara Piscitelli AM is a leading academic and early childhood educator. She curated the first exhibition at Brisbane’s new Gallery of Children’s Art (GoCA), Starting Young.
Brodie Ellis’s video work, A Crystal World, 2016, cuts together footage of Australian mining explosions, sourced online, into a slow motion sequence.
A collection of full-scale concrete barriers, painted in Yves Klein’s trademark blue, rest in an untidy pile on a gallery floor.
A unique and unprecedented collaboration between four galleries in the Hunter region, the Hunter Red suite of exhibitions aims to celebrate the Indigenous culture, social diversity, iconoclastic spirit and creative flamboyance of this growing area of NSW.
This year John Mawurndjul, from Arnhem Land, NT, and Mavis Ngallametta, from the Aurukun community, Qld, both received Red Ochre Awards.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
Heide Museum of Modern Art’s summer blockbuster exhibition is unveiling the breadth and beauty of Italian modernism through design. With over 170 objects spanning sixty years, Molto Bello explores the cultural impact of this period of creativity and invention.
rhythm wRites, a new exhibition at QUT Art Museum, spans 30 years of Bigambul artist Leah King-Smith’s manifold art practice, covering painting, photography, sound and animation.
In GHOSTLAND, her new exhibition at the ANU Art & Design Gallery, Julie Gough continues her lifelong inquiry into gaps and silences—while conjuring the apparitions that haunt Tasmania’s colonial past.
