Back to Black
Gallerist Anna Schwartz has been in the game for 35 years, and in an exhibition looking back, themes of change and returns resonate.
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Gallerist Anna Schwartz has been in the game for 35 years, and in an exhibition looking back, themes of change and returns resonate.
Insisting on the importance of the artist’s hand in giving a work vitality, Sydney artist Robert Klippel naturally made this evident in his distinctive sculptures.
Cementa19 will feature more than 40 artists making, exhibiting and performing in 20 venues across the town of Kandos, NSW, responding to its landscape, history, social, cultural and environmental context.
This exhibition by Hermannsburg potters looks back to the history of their Country in a way that is strenuously contemporary.
Torres Strait Islander artist Brian Robinson’s prints present densely illustrated stories, spanning traditional knowledge, history and pop culture.
It’s interesting to note that at a time when Western relations with Iran are once again becoming markedly, worryingly strained, Neshat appears to be heading in a broader direction in her work, away from the politically charged direction of her past.
In paintings like Our Rocky Shore, 2019, Neil Haddon blends the soft textures of clouds with contrasting colours, creating a surface crackling with orange hues and the veined branches of trees.
PICA curator Charlotte Hickson and Taiwanese-born guest curator Ashley Yihsin Chang have assembled four artists from each city (Perth and Taipei) for Unfolding Acts: New Art from Taipei and Perth.
Spearheaded in 2017 by Tasmanian ARI (artist run initiative) Constance, Hobiennale is a week-long arts festival uniting ARIs from across Australia and New Zealand via free exhibitions, projects and artists’ talks.
Sydney-based actor and artist Liam Nunan is the winner of the $50,000 Richard Lester Prize for Portraiture 2019, for his portrait of fellow actor Jonny Hawkins.
Anna-Wili Highfield’s art career began outside the gallery system…
Claudia Terstappen is known for her photography, but recently she has started working with ceramics as well.
The paintings of Betty Kuntiwa Pumani form a part of a larger, living archive on Antaṟa, her mother’s Country. More than maps, they speak to ancestral songlines, place and ceremony.
A presentation of works by Robert Mapplethorpe curated by the British editor Edward Enninful, Enninful x Mapplethorpe, at the 2025 Ballarat International Foto Biennale, finds resonance in opposites while turning binary thinking on its head.
Auckland-born and raised artist Lisa Reihana is ever the optimist, creating two new works signifying social cohesion to hang outside two Australian arts venues—Ngununggula, and Sydney Contemporary at Carriageworks —just as dark divisions seek to undermine the value of migration and Indigenous sovereignty.
Grace Wood’s new exhibition for Heide Museum of Modern Art intertwines personal, familial, and artistic archives. Consisting of textile and digital collage, Wood traces lines of inheritance and influence to position the garden as a site of both personal and artistic cultivation.
Language folds into form in the poetic yet monumental light sculptures of Welsh artist Cerith Wyn Evans, whose solo exhibition … in light of the visible is at the Museum of Contemporary Art, Sydney.
The everchanging nature of what constitutes a home is celebrated and explored in Boundaries: Transcended, now showing at the Bank Art Museum Moree.
