Dark Country
Liam Garstang’s cross-disciplinary practice reveals a haunted, wounded vision of inland Australia.
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Liam Garstang’s cross-disciplinary practice reveals a haunted, wounded vision of inland Australia.
To coincide with the 200-year anniversary of the publication of Frankenstein, RMIT Gallery presents My Monster: The Human Animal Hybrid.
Congratulations to Laith McGregor who has won the $15,000 Paul Guest Prize for Drawing with his pencil drawing on paper, This Old Island, 2018.
The 4A Centre for Contemporary Asian Art teamed Sydney-born artist Jason Phu with Hong Kong-born artist John Young Zerunge to take a fresh look at the 19th century riots on Australia’s goldfields, where resentment at Chinese miners boiled over.
The links between portraiture and national history are complex and entwined. The group exhibition So Fine: Contemporary women artists make Australian history is exploring this relationship by using portraiture to reconsider and reimagine Australia’s dominant historical narratives.
From 2019 Mona Foma, the annual summer music, arts and culture festival, will leave Hobart and head to Launceston.
Incarceration is a long chapter in Australia’s history; a new exhibition looks at how detention continues to impact the world.
Shane Cotton, a New Zealand artist of Pakeha (white New Zealander) and Mãori descent is referred to as a ‘history painter’.
Brook Andrew will be the artistic director of the 22nd Biennale of Sydney (BoS), due to be held in 2020.
Gerwyn Davies proves yet again that dressing up isn’t just fun and games.
“By the time I was in my teens in the mid-70s, the optimism of the 1960s had faded into the dystopian grime of the late Cold War.”
The pujiman, meaning bush or desert born, were the last Indigenous Australians to live entirely nomadically.
The growing cultural interest in art books reflects the enduring power of the printed word. Jane O’Sullivan takes a closer look.
Radical Textiles, A new exhibition at the Art Gallery of South Australia, shows us how textiles evoke material memories while keeping the radical lineage of needle and thread alive.
In a new collaborative exhibition at PS Art Space, in partnership with Cool Change Contemporary, five artists with process-lead practices contemplate material ethics through actively engaging in slowness and reuse.
A new exhibition at the Australian National Capital Artists Inc (ANCA) asks 12 artists—including Dan Powers, S.A.Adair, Emma Beer and Lisa Sammut—to explore scale: from the miniature to the monumental.
In Anmatyerr artist Elizabeth Mbitjana Pitijana’s first solo exhibition in Melbourne—which focuses on the Central Desert food source Arnwekety (bush plum)—the influence and love of her Country and culture is palpable. Elizabeth Mbitjana Pitijana is now showing at Niagara Galleries.
Two exhibitions in Sydney are showcasing interdisciplinary research on climate change communicated in artistic ways.
