Manly Dam Project
Artists work with scientists to explore the environment of Manly Dam.
Artists work with scientists to explore the environment of Manly Dam.
In her solo show Losing Home, Finding Home, Mika Nakamura-Mather examines both the fragmentary nature of memory and the quest for belonging.
At the heart of the group exhibition FEM-aFFINITY is intersectional, inclusive feminism.
Fostering a relationship between art, architecture and design is the long-term goal of the Lyon Housemuseum Galleries.
In Tama Sharman’s practice, the world is animated and dark sepia spirits roam as he creates works that involve personal stories, both factual and fictional.
I’ve always approached Primavera, the MCA’s annual showcase for artists aged 35 years or younger, less like a novel and more like a box of chocolates. In other words, rather that looking for a clear narrative I enjoy dipping into a mixed bag of treats.
A Country Practice was a much beloved television series from the eighties, filmed in and around the Hawkesbury region. Hawkesbury Regional Gallery curators Rebecca Turnbull and Diana Robson have brought together a selection of archived film, scrapbooks, costume props, vintage knitting patterns and original sketches for the exhibition The Wonders of Wandin Valley.
Responding to the history and culture of her birthplace, Taloi Havini’s evocative work draws attention to environmental and social change.
Grayson Perry takes to the stage in a one-person show, Them & Us, covering everything from politics and fashion to art and childhood toys. Briony Downes spoke to Perry ahead of his upcoming appearances in Sydney and Melbourne.
Across Australia, the arts community is rallying together to support those impacted by devastating bushfires. Art Guide has compiled a round-up of fundraising exhibitions and relief efforts by artists, galleries and arts organisations, which we will continue to update in the coming weeks.
Urs Fischer’s four-metre red wax sculpture, Francesco, 2017, is designed to be lit and slowly melted like a candle. Recently acquired by the National Gallery of Australia (NGA), the sculpture’s decomposition is being documented on social media—and attracting lively discussion.
The State Library of Victoria’s Velvet, Iron, Ashes exhibition features disparate content: from the Ashes urn and Freddo Frog to Ned Kelly and the history of Yallourn.
Positioned on the edge of Sydney Harbour/Warrane, Ancient Feelings, a sculpture by British artist Thomas J Price, launches the Neil Balnaves Tallawoladah Lawn Commission, a three-year series of public artworks presented by the Museum of Contemporary Art Australia.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form.
Spring1883, Melbourne’s interactive and immersive fair returns, celebrating the collision of contemporary art installed amongst 18th century decor of The Hotel Windsor.
Language folds into form in the poetic yet monumental light sculptures of Welsh artist Cerith Wyn Evans, whose solo exhibition … in light of the visible is at the Museum of Contemporary Art, Sydney.
Campbelltown Arts Centre’s in every room presents rich socio-political histories and personal storytelling, with works by Lara Chamas, Jagath Dheerasekara, Kuba Dorabialski, Roberta Joy Rich, Sancintya Mohini Simpson and Curtis Taylor.
