Partners in life and art, Will and Garrett Huxley’s sequined wonderland pays homage to their queer artist forebears. Their first collective survey, now showing at Fremantle Arts Centre, unfurls a decade of photography, music recordings, costume, film and performance.
Tongan legends and pop culture heroes face off in the work of Telly Tuita, an artist whose freewheeling visual language articulates the light and shade of experience and the multiple selves we contain. Tuita is now showing as part of Sydney Festival.
Tongan legends and pop culture heroes face off in the work of Telly Tuita, an artist whose freewheeling visual language articulates the light and shade of experience and the multiple selves we contain. Tuita is now showing as part of Sydney Festival.
For La Trobe University’s Biannual Façade Commission, artist Roberta Joy Rich brings the dark corners of archival material into the light. On the glass frontage of the La Trobe Art Institute in Bendigo, Rich has created a work using sound, image and text to explore the South African diaspora.
For La Trobe University’s Biannual Façade Commission, artist Roberta Joy Rich brings the dark corners of archival material into the light. On the glass frontage of the La Trobe Art Institute in Bendigo, Rich has created a work using sound, image and text to explore the South African diaspora.
65,000 Years: A Short History of Australian Art is an extraordinary account of the unique art of this continent, published alongside a landmark exhibition at the Potter Museum of Art. Necessary and urgent, it tells the story of Indigenous Australian art; a new art history unlike anything we’ve seen. For Jane O’Sullivan, it’s a remarkable and must-read book.
65,000 Years: A Short History of Australian Art is an extraordinary account of the unique art of this continent, published alongside a landmark exhibition at the Potter Museum of Art. Necessary and urgent, it tells the story of Indigenous Australian art; a new art history unlike anything we’ve seen. For Jane O’Sullivan, it’s a remarkable and must-read book.
In a new series of illustrated postcards available as a free gift with purchase only at the Art Guide Bookstore, Oslo Davis takes on classic and contemporary art terms and genres and reimagines what they could be referring to.
In a new series of illustrated postcards available as a free gift with purchase only at the Art Guide Bookstore, Oslo Davis takes on classic and contemporary art terms and genres and reimagines what they could be referring to.
With so much to choose from, we’ve rounded up the major summer exhibitions in each capital city, open all summer long. Spanning Yayoi Kusama, Magritte, the Asia Pacific Triennial of Contemporary Art, and many more.
With so much to choose from, we’ve rounded up the major summer exhibitions in each capital city, open all summer long. Spanning Yayoi Kusama, Magritte, the Asia Pacific Triennial of Contemporary Art, and many more.
Ahead of the National Gallery of Victoria’s major retrospective on singular Japanese artist Yayoi Kusama, we invited four artists to respond to the influence of Kusama on their own practice—and meditate on what her work means to them.
For Patrick Pound, whose new installation The Museum of Falling is on show now at the City Gallery, the arrangement of objects and images has long blurred the line between fact and fiction, jolting our perception in surprising and unusual ways.
For Patrick Pound, whose new installation The Museum of Falling is on show now at the City Gallery, the arrangement of objects and images has long blurred the line between fact and fiction, jolting our perception in surprising and unusual ways.
bagan bariwariganyan: echoes of country, curated by Jonathan Jones and now showing at Bundanon, highlights a long history of Indigenous art on the New South Wales south coast, with works and installations from Jones, Aunty Julie Freeman, Aunty Cheryl Davison, and Mickey of Ulladulla.
bagan bariwariganyan: echoes of country, curated by Jonathan Jones and now showing at Bundanon, highlights a long history of Indigenous art on the New South Wales south coast, with works and installations from Jones, Aunty Julie Freeman, Aunty Cheryl Davison, and Mickey of Ulladulla.
Symbols and images dance across Nathan Beard’s vast body of work, all connecting back to his Thai-Australian heritage. We step inside the artist’s studio space in Preston, Victoria, and discuss his upcoming exhibition at Sweet Pea Gallery.
Symbols and images dance across Nathan Beard’s vast body of work, all connecting back to his Thai-Australian heritage. We step inside the artist’s studio space in Preston, Victoria, and discuss his upcoming exhibition at Sweet Pea Gallery.
un Magazine was conceived to champion courageous art criticism in an art world too often shaped by power and influence, a mission that still endures two decades on.
Whether looking for the perfect Christmas gift or searching for a summer read, we have selected some of our favourite art books of 2024—spanning everything from comprehensive gallery monographs to notable exhibition catalogues and self-published artist books.
Whether looking for the perfect Christmas gift or searching for a summer read, we have selected some of our favourite art books of 2024—spanning everything from comprehensive gallery monographs to notable exhibition catalogues and self-published artist books.
In her latest exhibition at Plimsoll Gallery, Janine Combes uses her background as a jewellery maker to create a body of work inspired by abandoned towns once marked for settlement in Tasmania.
In her latest exhibition at Plimsoll Gallery, Janine Combes uses her background as a jewellery maker to create a body of work inspired by abandoned towns once marked for settlement in Tasmania.
Bringing together 70 artists from 30 countries, the 11th Asia Pacific Triennial of Contemporary Art fosters connections across cultures and borders, and translates cultural knowledge for the present day.
Bringing together 70 artists from 30 countries, the 11th Asia Pacific Triennial of Contemporary Art fosters connections across cultures and borders, and translates cultural knowledge for the present day.
Julie Mehretu’s first solo exhibition in the southern hemisphere, now showing at the Museum of Contemporary Art, attempts to harness the urgency and energy of the Ethiopian-born New Yorker’s multilayered painting practice.
Julie Mehretu’s first solo exhibition in the southern hemisphere, now showing at the Museum of Contemporary Art, attempts to harness the urgency and energy of the Ethiopian-born New Yorker’s multilayered painting practice.
