Neha Kale

Neha Kale is a writer, journalist and critic who has been writing about art and culture for the last ten years. Her work features in publications such as The Sydney Morning Herald, SBS, The Saturday Paper, Art Review Asia and The Guardian and she is the former editor of VAULT.

Interview

Language, curating and identity with Hans Ulrich Obrist, Asad Raza and Warraba Weatherall

Hans Ulrich Obrist, Asad Raza and Warraba Weatherall talk about the process behind This language that is every stone at Brisbane’s Institute of Modern Art, as well as curating identity in the 21st century, and the relationship between art and language.

Feature

Rebecca Belmore makes art for turbulent times

Based in Toronto, Anishinaabe artist Rebecca Belmore is showing her first Australian solo exhibition, creating acts of Indigenous resistance through art, language and bodies.

Opinion

Mystery road: Navigating mystery and identity in art

In art, a sense of mystery can capture a viewer’s imagination, creating a reprieve from our current reality. But as market forces risk turning identity into commodity, who is granted the privilege of artistic mystique?

Opinion

Brand Awareness

Building a personal brand can feel non-negotiable for artists—but is it worth the cost?

Feature

Salote Tawale’s Surface Tensions

While much of Salote Tawale’s work is humorous on the surface, the artist is mining the tensions surrounding representation, colonialism, and her own cultural and personal histories—and is doing so with two solos at PICA and MAMA.

Feature

Stanislava Pinchuk’s Plotted Histories

Mapping data from conflict zones and disaster areas, Stanislava Pinchuk (also known as Miso) creates art that reflects upon trauma, memory and landscape.

Feature

The Past Imperfect

Megan Evans challenges the privileges enshrined by whiteness while untangling the complexities of living on stolen land.

Feature

If These Walls Could Talk

Indigenous geometry, hip-hop and road movies—welcome to the art of Reko Rennie.

Feature

Notes From the Near Future

For a new wave of contemporary artists, art-making can imagine a future free of oppressive structures—and create a language for building a more inclusive world.

Feature

Art Gallery of South Australia makes art accessible for hearing and vision impaired audiences everywhere

Over the last three years Art Gallery of South Australia has taken strides to make its exhibitions more inclusive. The gallery has also recently launched a new accessible audio guide.

Opinion

Hitting the class ceiling

Neha Kale unpacks the art world’s complicated relationship with money and power.

Preview

Fiona Hall tackles overconsumption with potent rubbish in Afraid Cascade

For Fiona Hall, the things we throw away aren’t empty of meaning.

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Neha Kale

Neha Kale's Articles

Language, curating and identity with Hans Ulrich Obrist, Asad Raza and Warraba Weatherall

Rebecca Belmore makes art for turbulent times

Mystery road: Navigating mystery and identity in art

Brand Awareness

Salote Tawale’s Surface Tensions

Stanislava Pinchuk’s Plotted Histories

The Past Imperfect

If These Walls Could Talk

Notes From the Near Future

Art Gallery of South Australia makes art accessible for hearing and vision impaired audiences everywhere

Hitting the class ceiling

Fiona Hall tackles overconsumption with potent rubbish in Afraid Cascade

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