Bruce seeks to provoke introspection. Each frame is an invitation to meditate on the landscape and existence within that landscape, to explore despair and hope, and the profound impact of a decaying world on the individual psyche. Adelaide Fringe Festival.
The images of Haitian-French photographer Henry Roy—on display for the first time at the Art Gallery of Western Australia—are a tribute to the landscapes that loom large in our imagination and a beguiling antidote to the brutality of the world.
Material concerns such as housing can determine an artist’s wellbeing and sense of possibility—an idea that is often overlooked by romantic ideas of art making that are out of sync with our current reality. How can artists navigate a society in which reliable shelter is elusive? And can art itself help us reimagine what it means to achieve secure footing in an increasingly volatile world? Jo Higgins investigates.
In an interview with Louise Martin-Chew, Darrell Sibosado discusses his striking installation Ilgarr (Blood), currently on show as part of the 11th Asia Pacific Triennial, his major commission at the 24th Biennale of Sydney, and Illume, an upcoming collaboration with the renowned Bangarra Theatre.
Featuring work by Arrernte and Southern Luritja artist Sally M Nangala Mulda and Arrernte and Western Arrarnta artist Marlene Rubuntja, Two Girls From Amoonguna is an ACMI touring exhibition now showing at Araluen Arts Centre.
Partners in life and art, Will and Garrett Huxley’s sequined wonderland pays homage to their queer artist forebears. Their first collective survey, now showing at Fremantle Arts Centre, unfurls a decade of photography, music recordings, costume, film and performance.
Tongan legends and pop culture heroes face off in the work of Telly Tuita, an artist whose freewheeling visual language articulates the light and shade of experience and the multiple selves we contain. Tuita is now showing as part of Sydney Festival.
