Paintings from Julie’s personal archive, showcases her investigation into four pivotal periods of her study. Spanning figurative observation, the landscape, personal interiors, and her explorations into street side signage and it’s typographic forms.
Trevor Yeung’s art draws on moments of quiet, dawning intimacy between people—interactions which are immensely felt yet so difficult to express. The Hong-Kong based artist is in this year’s Biennale of Sydney at White Bay Power Station and Artspace.
With a practice stretching over 50 years, celebrated artist Jill Orr is known for working with her body and centering responsibility towards our environment and place. In her latest exhibition at Linden New Art, Orr revisits an earlier series from 2012—and what it can tell us today.
In their first joint exhibition together, the couple Dana Harris and Peter Atkins share their separate three-year-long projects made during the Melbourne lockdowns, delivering a shared interest in geometry and colour in SUPERsystems at TarraWarra Museum of Art.
“Sometimes I think of my paintings as a sound score to the pulse of the landscape.” Sue Lovegrove presents 12 new abstract landscape paintings in her latest show at Gallerysmith.
Known for her beguiling, stained canvases, and her evocation of matrilineal Indigenous histories, Waanyi artist Judy Watson is now embarking on a 40-year survey at the Queensland Art Gallery.
Mai Nguyễn-Long’s latest exhibition at Wollongong Art Gallery takes influence from her Vietnamese heritage and living in a modern Australian setting—speaking to the trauma experienced by the diaspora.
