The Museum of Falling unpacks the material history of our civic space and the all too human experience of navigating it. This exhibition-cum-installation is a material feast that is also a tragicomic parade of falling. In reanimating the city’s collection, The Museum of Falling records some of the ups and downs of our city.
With their iconic painted poker machines and installations, notably featured in the 2020 Biennale of Sydney, the Tennant Creek Brio are now taking over Melbourne with a new show at the Australian Centre for Contemporary Art.
Chris Langlois explores the abstract nature and fugue-like quality of the ocean in his latest exhibition at Olsen Gallery, which presents a dozen new large-scale works with endless variations on the seascape.
“We can communicate with our hands when we craft something”: This year’s Indian Ocean Craft Triennial, IOTA24, delivers craft and culture across Western Australian art galleries.
GAGPROJECTS, a mainstay of the Adelaide art scene, has announced that the Kent Town space it has operated out of for 32 years will close at the end of August.
Congratulations to Zoe Grey, who has won the $100,000 Hadley’s Art Prize for her work The Shape of Rock, a painting depicting the landscape of her Tasmanian hometown, Marrawah.
The National Gallery of Australia is contemplating the complicated legacy of Paul Gauguin through a Polynesian perspective in Gauguin’s World: Tōna Iho, Tōna Ao.
