In The Good Life, Mark Tweedie returns to Carnarvon, the coastal town of his childhood, revisiting its sun-bleached streets and layered memories after three decades away. Developed during a 2024 residency, this body of work traces the emotional contours of place – where personal histories, fading dreams and quiet acts of remembrance converge. Drawing on family memories, recurring dreams and fragments of local ephemera.
Arwin Hidayat’s TERNYATA AKU MASIH BERBAHAS (It Turns Out I’m Still Breathing) at Mitchell Fine Art, presents a lifetime of visual storytelling, experimentation and curiosity.
The central life-giving gesture of the breath is at the core of Max Athans’ first institutional solo exhibition. Their series of sculptures, collectively titled Breathform, take air into latex ‘lungs’ which create a whistle in the exhale, a deep breathy sound that echoes eerily through the galleries.
Evie Adasal’s show Light and Space unveils a series of works that look at the intersection of design, light and space at The Garden Gallery in Sydney.
Peter Hill interviews Simryn Gill about the exhibition Stolon Press: Flat earth at Monash University Museum of Art.
Artist Khaled Sabsabi and curator Michael Dagostino have been recommissioned by Creative Australia as the Artistic Team for the Australia Pavilion at the 2026 Venice Biennale.
A new exhibition at Buxton Contemporary finds a rich complexity in the shadowy terrain between life and death.
