For artist Joel Sherwood Spring, working in video offers an entrée, with accessible technologies and immediacy, to his ongoing fields of enquiry about identity and capital, on display at his show Diggermode 2: Cloud Ceding at the Institute of Modern Art in Brisbane.
Tender Comrade, currently on show at Sydney’s White Rabbit Gallery, creates a new vocabulary of queer kinship by reimagining the relationship between artworks, bodies and space.
For its 25th edition, the Biennale of Sydney has announced additional artists, project highlights and initial programming, running free to the public from 14 March—14 June, 2026.
The winning painting of this year’s Archibald Packing Room Prize reflected a changing of the guard in the packing room, as well as an evolution of the broader prize, with artists increasingly choosing to paint their fellow artists. The Archibald Prize 2025 currently is on display at Geelong Gallery.
Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions.
Healing: Art & Institutional Care, at La Trobe Art Institute, suggests a methodology on how galleries and exhibitions can repair complicated tensions.
