Drawn entirely from the Tweed Regional Gallery collection, Stillness, And a touch of reticence, highlights the beauty of stillness through a selection of portraiture. The exhibition includes a selection of paintings, photographs, and works on paper by leading Australian artists including Olive Cotton, Greg Weight, Michael Zavros, Naomi Hobson, Max Dupain and more.
Helen Mueller has been printmaking for 25 years, but moving to Hobart four years ago shifted her focus to the local natural environment. Now her delicate prints, made with materials foraged from the forest floor, are showing at Handmark Gallery.
An exhibition at the Museum of Brisbane sheds a new light on Brisbane’s history, presenting a significant historical archive of photography alongside contemporary artists responding to the original source material.
Trevor Vickers reflects on his six-decade career in hard-edged abstraction, the value that Perth’s light offers painters, and how his latest exhibition at Art Collective WA focuses on a series of quieter works.
Four Aboriginal women artists are arming themselves with culture and art, showing us the power of matriarchal bonds and sisterhood, in These Arms Hold at Incinerator Gallery.
In his first major exhibition in over a decade, now showing at Woollahra Gallery at Redleaf, Robert Eadie showcases his expansive oeuvre of paintings and drawings—a body of work developed over his 60-year career as an artist.
In a conversation with Lauren Carroll Harris for her survey exhibition at the Museum of Contemporary Art, Julie Rrap discusses 40 years of challenging the male gaze, and the cultural invisibility of the ageing female body.
