Claude Monet’s Meules, milieu du jour (Haystacks, midday), 1890 is the first of five works to be shared with the Tweed Regional Gallery as part of the National Gallery of Australia’s Sharing the National Collection initiative. The remaining works – three by iconic Australian artist Margaret Olley as well as Natura morta(Still life), 1956 by Giorgio Morandi – will be shared with the Tweed from February 2024.
The brand new 10km Mosman Art Trail features landmarks that have inspired generations of artists, including Arthur Streeton, Margaret Preston, Susan Rothwell and Jasper Knight. With accompanying reproductions of artworks at various sites on the walk, it’s a chance to reflect how artists interpret the landscape.
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Fabrication, a co-curatorial project now showing at DRAW Space, brings together 10 contemporary artists working in the intersections of drawing and digital fabrication.
Anne Zahalka’s retrospective at the Museum of Australian Photography offers the chance to see 40 years of her revered photographs. In our interview she talks about reflecting on her work, the necessity of humour, and making art in times of political and climate crises.
Ceremony and radical activism may seem like differing forces, but The 4th National Indigenous Art Triennial is showing us otherwise, centering itself on art, action and change. This touring exhibition is now on display at Western Plains Cultural Centre.
In 1841, the women aboard a British convict ship crafted a large-scale quilt known as ‘The Rajah quilt’. It’s one the most requested items from the National Gallery of Australia’s collection—and it’s now showing alongside a further 21 quilts, many crafted by women.
