Kate Ballis & Tom Blachford, Sue Beyer, Jennifer Goodman, Amanda Johnson, Lori Pensini, Stephen Pleban, Wilma Tabacco, Tanya Wales, Gosia Wlodarczak.
Wendy Sharpe’s expressive paintings incorporate social criticism and otherworldly dreamscapes, blending the real and imagined. With a current exhibition at Philip Bacon Galleries, she reflects on her three-decade practice and that iconic painting of Magda Szubanski.
Janenne Eaton’s first major career survey, Lines of Sight—Frame and Horizon opens at Geelong Gallery. With a lifetime of environmental work and appreciation, the work reflects on the omnipotence of technology, capturing the essential commentary of humanity’s effect on the natural world.
At once an exhibition, performance series, and community-led workshops, Push / Pull is an ambitious program that brings together themes and areas of focus that honour the histories of Adelaide Contemporary Experimental as a platform for radical experimentation.
Congratulations to Julie Fragar, who has won the 2025 Archibald Prize for Flagship Mother Multiverse (Justene), her portrait of fellow artist and colleague Justene Williams.
The theme for the 10th iteration of Parrtjima, the Aboriginal festival of light that takes place annually in the Northern Territory, is ‘timelessness’. The festival aims to reflect Indigenous culture and beliefs: both ancient knowledge and contemporary concerns.
The finalist portraits in the biggest Australian art award of the year have been announced, alongside the winner of The Packing Room Prize: Abdul Abdullah for his portrait of fellow artist Jason Phu.
