With: Beth Sanderson, Bic Tieu, David Walker, Jenny Johnstone, Kenny Yong Soo Son, Kirsten Haydon, Larah Nott, Lindy McSwan, Marian Hosking, Nicholas Burridge, Oliver Smith, Sean Booth, Sean O’Connell, Wayne Guest, and Ximena Briceño.
The National Gallery of Victoria has announced the next instalment of the Winter Masterpieces series, coming in June 2025, will be a return to French Impressionism—an exhibition from 2021 that closed as soon as it opened due to the global pandemic.
With a 50-year practice exploring her Chinese heritage, longing and belonging, Zen spiritualism and the endless nature of being, Lindy Lee is now unveiling the pinnacle of her art.
In a new exhibition at Australian Galleries, Kyoko Imazu’s intricate papercuts show worlds in miniature—Some of works are only 15 centimetres tall, yet their detail is meticulous.
Described as a fair within the Fair, the PAPER sector of Sydney Contemporary—which encompasses prints, drawings, photography, artist books and zines—reveals the magic of the medium.
Anador Walsh reviews Ivan Cheng’s performance exhibition NP at Monash University Museum of Art—a three-day project, made in collaboration with a group of Year 11 students, that explores the loss of childhood innocence and role of documentation in performance.
In a conversation with Lauren Carroll Harris for her survey exhibition at the Museum of Contemporary Art, Julie Rrap discusses 40 years of challenging the male gaze, and the cultural invisibility of the ageing female body.
