Forming part of their 40th anniversary celebrations, the Queanbeyan Quilters are presenting a collection of “Quilted Postcards from Queanbeyan” created by their members. These miniature quilts celebrate the local region of Queanbeyan, offering a distinct perspective from each artist and utilising a diverse range of quilting techniques, both traditional and contemporary.
Helen Mueller has been printmaking for 25 years, but moving to Hobart four years ago shifted her focus to the local natural environment. Now her delicate prints, made with materials foraged from the forest floor, are showing at Handmark Gallery.
An exhibition at the Museum of Brisbane sheds a new light on Brisbane’s history, presenting a significant historical archive of photography alongside contemporary artists responding to the original source material.
Trevor Vickers reflects on his six-decade career in hard-edged abstraction, the value that Perth’s light offers painters, and how his latest exhibition at Art Collective WA focuses on a series of quieter works.
With their iconic painted poker machines and installations, notably featured in the 2020 Biennale of Sydney, the Tennant Creek Brio are now taking over Melbourne with a new show at the Australian Centre for Contemporary Art.
A new event has arrived in Melbourne’s cultural calendar with the inauguration of the Melbourne Sculpture Biennale: an exhibition that aims to showcase the breadth and diversity of contemporary sculpture in Victoria.
In his latest exhibition at the 4A Centre for Contemporary Art, Elyas Alavi reimagines the alam, an object used in Shi’a ceremonies, as a portal for queer Muslim experience.
