One of Australia’s most exciting mid- career artists, known for her explorations of decorative and ornamental traditions and their associations with the feminine, the human form, and excess. This exhibition is presented by the Institute of Modern Art (IMA) and toured by Museums & Galleries Queensland.
Nicholas Smith’s sensuous and bodily sculptures speak to the classical history of the form in an installation that is now on display at the Australian Centre for Contemporary Art as part of Future Remains: The 2024 Macfarlane Commissions.
In her latest exhibition at Arthouse Gallery, Belinda Fox invites friends and artists to contribute by reflecting on their sense of home.
GAGPROJECTS, a mainstay of the Adelaide art scene, has announced that the Kent Town space it has operated out of for 32 years will close at the end of August.
Festivals can be overwhelming, especially during a cost-of-living crisis. So we’ve curated the ‘must-see-but-on-a-budget’ art events at this year’s RISING—all free or low cost with no bookings required, from Richard Bell’s iconic Embassy tent to Jeremy Deller’s 24 Hour Rock Show to art-filled micro-bars.
Sara Oscar’s Counterfactual Departures uses generative AI to create an otherwise non-existent family archive—creating photographs that depict her pregnant mother’s migration from Thailand to Australia in 1974.
The assemblage of new motherhood, of shifting time and experience, is mirrored in Lillian O’Neil’s poignant artistic assemblages at UNSW Galleries.
