OSCILLOFORMS is a neologism encapsulating an experientially grounded inquiry into the disparate and entangled natures of reductive, expanded and non-objective artforms in the twenty-first century. The exhibition includes painting on a range of materials together with sculptural explorations.
Featuring Sadie Chandler, Richard Dunn, Craig Easton, Deven Marriner, Carol Cheng Mastroianni, Yuna Chun, Anne Scott Wilson, Rohan Schwarz, Mimi Zheng.
Working between Indonesia and Australia, Jumaadi’s art draws on Javanese folk culture to excavate themes of colonialism, suffering, death and birth. His work is featured in an exhibition now showing at Bundanon Art Museum.
In her latest collection of works, now showing at Tactile Arts, Hunnah James incorporates shedded discards from local paperbarks trees into her watercolour paintings of native flora and fauna.
A new show at Craft Victoria asks six creatives—artists, makers, designers—to respond to aluminium as a material. All the aluminium used is recycled, highlighting the space’s new Conscious Craft initiative.
Parrtjima—the Northern Territory’s annual festival of lights at the Alice Springs Desert Park—is entering its ninth year, and this time the immersive festival’s focus is interconnectedness.
Working en plein air, Clarice Beckett’s tonalist paintings capture not only the likeness of a place, but how it felt to be there. Revisit our preview of the historical artist, who is now showing at Cairns Art Gallery with work from the 1920s and 30s.
The National Gallery of Victoria has unveiled their summer blockbuster exhibition for 2024–2025. Yayoi Kusama’s signature polka dots and pumpkins, along with world-premiere work, will appear in Australia’s largest retrospective exhibition of the Japanese artist.
