NO STORYBOARD NO SCRIPT WE MAKE OUR FILMS FROM OUR LIFE AND LANDS FOR OUR LIFE AND LANDS. This artistic manifesto describes the collective’s technique and approach to filmmaking. In Night Fishing with Ancestors, the filmmakers are asking what other history could have been possible if the Europeans had never invaded and if Indigenous people and Macassans had continued to trade foods, stories, and other things.
The Darwin Aboriginal Art Fair (DAAF) celebrates 19 years of bringing local and international audiences together on Larrakia Country.
The everchanging nature of what constitutes a home is celebrated and explored in Boundaries: Transcended, now showing at the Bank Art Museum Moree.
In a world in which the new wave of AI is reframing our relationship with creative labour, how do artists negotiate an impending crisis of relevance and understand the true value of their work? Stephanie Wood reports.
Waanyi artist Gordon Hookey has been creating artwork for more than three decades. Describing his style as pictograms of a scenario, with images and symbols connecting a sprawling narrative, Hookey’s work, which is now showing at Plimsoll Gallery, is imbued with elements of activism, pop culture and lived experience.
Arwin Hidayat’s TERNYATA AKU MASIH BERBAHAS (It Turns Out I’m Still Breathing) at Mitchell Fine Art, presents a lifetime of visual storytelling, experimentation and curiosity.
A major exhibition charts the ingenuity and creative spirit coming out of the Yirrkala community across time. In collaboration with Buku-Larrŋgay Mulka Art Centre,Yolŋu Power: the art of Yirrkala is now showing at the Art Gallery of New South Wales.
