An exhibition of new paintings celebrating women’s lore and culture from Ernabella Arts by Atipalku Intjalki, Carlene Thompson, Janice Stanley, Katrina Tjitayi, Lynette Lewis, Michelle Lewis, Tjulyata Kulyru and Renita Stanley.
Plus a special selection of hand built ceramics by Carlene Thompson, Benyi Stewart, Derek Thompson and Elizabeth Dunn.
Opening event with the artists, Saturday 16 November, 2pm.
The National Gallery of Victoria has announced the next instalment of the Winter Masterpieces series, coming in June 2025, will be a return to French Impressionism—an exhibition from 2021 that closed as soon as it opened due to the global pandemic.
With a 50-year practice exploring her Chinese heritage, longing and belonging, Zen spiritualism and the endless nature of being, Lindy Lee is now unveiling the pinnacle of her art.
In a new exhibition at Australian Galleries, Kyoko Imazu’s intricate papercuts show worlds in miniature—Some of works are only 15 centimetres tall, yet their detail is meticulous.
“We can communicate with our hands when we craft something”: This year’s Indian Ocean Craft Triennial, IOTA24, delivers craft and culture across Western Australian art galleries.
Even though women currently outnumber men in the arts by two-to-one, the industry remains rife with gender disparities from income to accommodating motherhood. So why, asks Neha Kale, is the growing visibility of female-identifying artists falling short of genuine, material change?
Movement and stillness are driving forces in the video and sculptural works of Cate Consandine. This is particularly true of RINGER, the artist’s new three-channel film work currently premiering at Buxton Contemporary. In conversation with Amelia Wallin, Consandine talks about RINGER, the female gaze as a continual point of exploration, film as sculpture, and the viewer as an active and embodied agent.
