Underpinned by the central theme Solas, delve into places where art, nature and healing intersect. Influenced by the environments of North East Victoria this body of work investigates the idea of thresholds and in between spaces such as the crevices in granite rocks, the etched lines created by scribbly gum moths under the bark of gum trees and the fine spider web like mycorrhizal fungi that penetrates the soil.
Trevor Yeung’s art draws on moments of quiet, dawning intimacy between people—interactions which are immensely felt yet so difficult to express. The Hong-Kong based artist is in this year’s Biennale of Sydney at White Bay Power Station and Artspace.
With a practice stretching over 50 years, celebrated artist Jill Orr is known for working with her body and centering responsibility towards our environment and place. In her latest exhibition at Linden New Art, Orr revisits an earlier series from 2012—and what it can tell us today.
In their first joint exhibition together, the couple Dana Harris and Peter Atkins share their separate three-year-long projects made during the Melbourne lockdowns, delivering a shared interest in geometry and colour in SUPERsystems at TarraWarra Museum of Art.
For the 24th Biennale of Sydney, Paris-based Fondation Cartier has commissioned 14 new works by Indigenous artists across the globe, curated by renowned Kuku Yalanji artist, Tony Albert.
A collaboration between Perth Festival, DADAA gallery and studio, and four Japanese arts and disability organisations has resulted in A rising in the east—an exhibition that asks what artists with disabilities can achieve when offered the resources.
The three separate exhibitions that come together in Tales of Land & Sea, speak to Arthur Boyd’s sense of justice, his desire to break down barriers between class and cultures, and his deep love of the ancient myths that still speak to humanity.
