Information That Moves is an ephemeral installation investigating the science and stories of the underground. We will explore the world of fungi and mycelium as a metaphor for different ways of thinking, systems and behaviours.
Inspired by different genres of fiction and digital media, the artists in Ghost in the Machine at Outer Space, Brisbane consider avatars, ghosts, masks and levels of embodiment to ask: what if I’m more real when I’m projecting?
In Queer Territory at the Northern Centre for Contemporary Art, Darwin, curator Maurice O’Riordan has drawn together diverse works from the 1980s to the present day to present a snapshot of queer practice in the Territory.
Taking an expanded approach to Indigenous curatorial practice, the ninth TarraWarra Biennial features work responding to themes of regeneration, restoring spirit, and disrupting colonial space. Three artists discuss their contributions.
It feels like everything is slowly but surely being affected by the rise of artificial intelligence (AI). And like every other disruptive technology before it, AI is having both positive and negative outcomes for society. One of these negative outcomes is the very specific, yet very real cultural harm posed to Australia’s Indigenous populations.
With a 50-year practice exploring her Chinese heritage, longing and belonging, Zen spiritualism and the endless nature of being, Lindy Lee is now unveiling the pinnacle of her art.
Mungari, a landmark exhibition at Sydney’s Chau Chak Wing Museum, marks the return of the Gweagal spears to their ancestral country while speaking to the constellation of relationships that knit together people, objects and place.
