This exhibition conceptually and materially considers the need for the societal and industrial change required if we are to transition to a low carbon future. Using the artist’s own backyard as both reference and muse, Il faut cultivate nous jardin – (You must cultivate your garden) is the culmination of a year’s research into sustainable and circular studio materials and processes.
Trevor Yeung’s art draws on moments of quiet, dawning intimacy between people—interactions which are immensely felt yet so difficult to express. The Hong-Kong based artist is in this year’s Biennale of Sydney at White Bay Power Station and Artspace.
With a practice stretching over 50 years, celebrated artist Jill Orr is known for working with her body and centering responsibility towards our environment and place. In her latest exhibition at Linden New Art, Orr revisits an earlier series from 2012—and what it can tell us today.
In their first joint exhibition together, the couple Dana Harris and Peter Atkins share their separate three-year-long projects made during the Melbourne lockdowns, delivering a shared interest in geometry and colour in SUPERsystems at TarraWarra Museum of Art.
In marking 20 years of the proppaNOW artist collective, Tony Albert, Megan Cope, Gordon Hookey, Lily Eather, and Warraba Weatherall gathered for an incredibly insightful and honest conversation about contemporary Aboriginal art in Australia today.
A collaboration between Perth Festival, DADAA gallery and studio, and four Japanese arts and disability organisations has resulted in A rising in the east—an exhibition that asks what artists with disabilities can achieve when offered the resources.
“I guess that is the thread, that I am very open to influences that come into my life, you know, and I respond to them,” says Suzanne Archer in The Long Run, Art Guide’s latest podcast series featuring interviews with artists who have 60-year practices.
