This exhibition traces the history of textiles, from the earliest evidence of woven structures recorded as clay imprints, to diagrams of weaving equipment inscribed on earthenware.
John Brooks’ textile practice explores the entanglements between ancient weaving technologies, material experimentation, and tangential processes of invention.
In Biraddali Dancing on the Horizon, now showing at Perth Institute of Contemporary Arts (PICA), Australian-Filipina artist Bhenji Ra explores pangalay—a dance form indigenous to the Tausug and Bajau peoples from the Sulu Archipelago and Sabah in the Philippines.
Shaped by the movement between histories and cultures, the work of Thai-born, Aotearoa-raised artist Sorawit Songsataya draws on mystery and plurality as a means of knowing the world. The artist is now showing at Australian Centre for Contemporary Art and Monash University Museum of Art.
Consuelo Cavaniglia’s sunny studio in an industrial area of Sydney’s inner west reflects the artist’s fascination with light. Her recent glass works, now showing at Chau Chak Wing Museum, play with apertures, shadows, reflections and transparencies.
Queenslander Glen O’Malley stands as a key figure among a generation of photographers who depicted the domestic lives of Australians in the 1970s and 1980s. In an interview with Barnaby Smith, he discusses the landmark 1988 show Journeys North, and QAGOMA’s current exhibition Suburban Sublime: Australian Photography.
The intricate paintings of Nusra Latif Qureshi, now showing at the Art Gallery of New South Wales, remake and reroute imperial narratives and trace the borders of the shifting self.
Since 2009, the William Robinson Gallery has held regular exhibitions showcasing the prolific Queensland artist’s oeuvre. The latest is Numinous, focusing on landscape painting and showing the natural world through Robinson’s careful eye.
