Fragments of Light presents a series of paintings rooted in the everyday life of Melbourne, capturing intimate tableaux that reflect the changing seasons, nostalgia, and the connections between people and place.
In Biraddali Dancing on the Horizon, now showing at Perth Institute of Contemporary Arts (PICA), Australian-Filipina artist Bhenji Ra explores pangalay—a dance form indigenous to the Tausug and Bajau peoples from the Sulu Archipelago and Sabah in the Philippines.
Shaped by the movement between histories and cultures, the work of Thai-born, Aotearoa-raised artist Sorawit Songsataya draws on mystery and plurality as a means of knowing the world. The artist is now showing at Australian Centre for Contemporary Art and Monash University Museum of Art.
Consuelo Cavaniglia’s sunny studio in an industrial area of Sydney’s inner west reflects the artist’s fascination with light. Her recent glass works, now showing at Chau Chak Wing Museum, play with apertures, shadows, reflections and transparencies.
The Victorian First Peoples Art and Design Fair debuts in partnership with the Melbourne Art Fair this weekend, offering a special preview of new and recent artworks from 37 Koorie artists and designers.
The paintings of Ethel Carrick—whose legacy is being celebrated via a new exhibition at the National Gallery of Australia—offer distinctive and poignant lessons in seeing the world.
For the Auckland-based artist Yona Lee, who has a new commission at the Melbourne Art Fair, function is a source of formal possibility and ordinary material moulds space in extraordinary ways.
