This exhibition presents artworks as well as photographs, posters and T-shirts borrowed from the local community, to explore the artists, performers and activists that lit up Freo in the period 1977-1985. The exhibition charts the cultural shift that occurred in Fremantle after 1975, when the city was an affordable place and attracted an eclectic mix of residents and passersby.
The National Gallery of Victoria has announced the next instalment of the Winter Masterpieces series, coming in June 2025, will be a return to French Impressionism—an exhibition from 2021 that closed as soon as it opened due to the global pandemic.
With a 50-year practice exploring her Chinese heritage, longing and belonging, Zen spiritualism and the endless nature of being, Lindy Lee is now unveiling the pinnacle of her art.
In a new exhibition at Australian Galleries, Kyoko Imazu’s intricate papercuts show worlds in miniature—Some of works are only 15 centimetres tall, yet their detail is meticulous.
Now showing at RMIT Gallery, This Hideous Replica is a holistic experimental art undertaking, co-curated by Sean Dockray and Joel Stern, which encompasses an exhibition, performance programs, publishing and much else.
The Centre for Contemporary Photography (CCP) has been forced to vacate its Fitzroy home of almost 20 years following the recent withdrawal of funding from both Creative Australia and Creative Victoria.
Rochelle Haley is responding to the need for safe spaces in a new public artwork at Randwick Health & Innovation Precinct, Lunar Sway, that blends light and colour to create a sense of calm.
