The evolving installation Walyalup I Fremantle Tennis Ball Exchange transforms the two spaces of Ngoorlak and Karrak Galleries. Visitors are invited to bring an old ball to swap with a new one from the numerous shelves that line the walls. Gradually the rows of yellow spheres are replaced with misshapen and discoloured forms that represent the joy of trade.
The Darwin Aboriginal Art Fair (DAAF) celebrates 19 years of bringing local and international audiences together on Larrakia Country.
The everchanging nature of what constitutes a home is celebrated and explored in Boundaries: Transcended, now showing at the Bank Art Museum Moree.
In a world in which the new wave of AI is reframing our relationship with creative labour, how do artists negotiate an impending crisis of relevance and understand the true value of their work? Stephanie Wood reports.
In an era of information excess and manipulation, Wang Zhiyuan’s Dictator Training Centre exhibiting at Passage Gallery, reminds us of contemporary art’s potential as an open-ended platform for reflection, dialogue, and shared authorship.
Arwin Hidayat’s TERNYATA AKU MASIH BERBAHAS (It Turns Out I’m Still Breathing) at Mitchell Fine Art, presents a lifetime of visual storytelling, experimentation and curiosity.
Now showing at HOTA, Writers Revealed is an ambitious exhibition covering six centuries, presenting manuscripts, letters, illustrations and rare editions from many of the most influential authors in English literature.
