Alex Stone in collaboration with Lee Kelly.
Bound[less] physically retraces memo- ries and place in an attempt to address notions of absence and to grasp ’the fleeting’. Working with the materiality of glass, the exhibition highlights its ability to hold traces of what went before and the chameleon-like responsivity to the space in which it is placed.
Taja Vaetoru’s debut solo exhibition Idol, now showing .M Contemporary, explores their Polynesian ancestry, questions of tradition and worship, and how to intersect the past with the present.
With works from Tuppy Ngintja Goodwin, Betty Pumani and Robert Fielding, Aboriginal-owned Mimili Maku Arts’ first exhibition with Ames Yavuz is an opportunity to celebrate the milestone of their 20 year anniversary, as well as the ways of working that are integral to the centre and Aṉangu culture.
The finalist portraits in the biggest Australian art award of the year have been announced, alongside the winner of The Packing Room Prize: Abdul Abdullah for his portrait of fellow artist Jason Phu.
Artists have long been consumed with what we eat, seen appetites as a metaphor for nourishment and vulnerability. But as Lee Tran Lam finds out, the new wave of collaborations between the worlds of art and food signals a growing cultural desire to break down barriers—and forge new connections in unexpected ways.
Hong Kong Art Week kicks off this week and Australian galleries are getting down to the business of showcasing their artists on this globally significant art world stage.
A major retrospective at the National Gallery of Australia in Canberra sheds light on the legacy of Anne Dangar, featuring over 180 objects that position her as a pioneer in European Cubism and Australian abstraction.
![BOUND[LESS]](https://artguide.com.au/assets/files/2025/05/Sauerbier-House-5B2A5338-copy.jpg)
