Big, gutsy, unforgettable work! Their size represents something of Barbara’s passion for people. She loves their stories, their imperfections, their raw character. The colour of humanity is right out there, proud and strong. The works are physically large, painted on printed fabric which is Barbara’s trademark style. This method of painting on the floor means that she can create a ‘studio’ anywhere in the world.
The National Gallery of Victoria has announced the next instalment of the Winter Masterpieces series, coming in June 2025, will be a return to French Impressionism—an exhibition from 2021 that closed as soon as it opened due to the global pandemic.
With a 50-year practice exploring her Chinese heritage, longing and belonging, Zen spiritualism and the endless nature of being, Lindy Lee is now unveiling the pinnacle of her art.
In a new exhibition at Australian Galleries, Kyoko Imazu’s intricate papercuts show worlds in miniature—Some of works are only 15 centimetres tall, yet their detail is meticulous.
In GHOSTLAND, her new exhibition at the ANU Art & Design Gallery, Julie Gough continues her lifelong inquiry into gaps and silences—while conjuring the apparitions that haunt Tasmania’s colonial past.
Since 2021, mosaic artists around the world have been working together to draw attention to the plight of Afghan women under Taliban rule. Now, an exhibition at Canberra Glassworks is showing the massive contribution by Australian artists.
Lismore Regional Gallery is reopening to the public following extensive closure resulting from the devastating floods in 2022. The redesigned space will host a number of new exhibitions opening this weekend.
