Hands that Think explores touch, and how the process of material thinking informs the creative practices of a diverse range of local artists and craftspeople.
From matrescence-themed collages and intimate family portraits to a series of events centred on the intersection of design and fertility, revisit six pieces from the Art Guide archives that explore the relationship between art and motherhood.
In his first commercial presentation in Australia, one of Mexico’s most acclaimed contemporary artists uses his architectural background to create poetic, finely calibrated sculptural investigations of spatial perception, balance and equilibrium. Jose Dávila’s Physics of Uncertainty is now showing at COMA Gallery.
Tina Havelock Stevens likes to feel the wind in her hair, which probably goes some way to explaining the generous punk spirit that infuses her multidisciplinary practice, the subject of the exhibition Now is a Beginning at Bathurst Regional Art Gallery.
Congratulations to Aisha Sherman-Noth, who has won the 2025 Glover Prize for Weeping birches on the avenue. The Tasmanian-based artist wins $80,000 for the painting, which depicts weeping birch and poplar trees along the Brooker Highway into Hobart.
The glass sculptures of Dale Chihuly, now on display at Adelaide Botanic Garden, speak to the power and pitfalls of visual pleasure in an increasingly contested world.
Mitch Cairns’s latest solo exhibition Restless Legs, now showing at the Art Gallery of New South Wales, draws on symbols—from literature, mythology, nature, and home life—to find new pathways into painting.
