Alison Mitchell
Mitchell’s still life paintings have a timeless elegance to them, as she masters light and form, revealing the beauty in the everyday.
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Mitchell’s still life paintings have a timeless elegance to them, as she masters light and form, revealing the beauty in the everyday.
Taja Vaetoru’s debut solo exhibition Idol, now showing .M Contemporary, explores their Polynesian ancestry, questions of tradition and worship, and how to intersect the past with the present.
With works from Tuppy Ngintja Goodwin, Betty Pumani and Robert Fielding, Aboriginal-owned Mimili Maku Arts’ first exhibition with Ames Yavuz is an opportunity to celebrate the milestone of their 20 year anniversary, as well as the ways of working that are integral to the centre and Aṉangu culture.
The finalist portraits in the biggest Australian art award of the year have been announced, alongside the winner of The Packing Room Prize: Abdul Abdullah for his portrait of fellow artist Jason Phu.
Buoyed by rich feminist histories, the multifaceted work of Zanny Begg, who is now showing at the Western Plains Cultural Centre, reveals the possibility of paths not taken and the way age-old legacies persist.
The glass sculptures of Dale Chihuly, now on display at Adelaide Botanic Garden, speak to the power and pitfalls of visual pleasure in an increasingly contested world.
A lavish exhibition adorning Bunjil Place Gallery, in a major partnership with the National Gallery of Victoria, presents over 150 historical and contemporary works—spanning painting, fashion, installation, and so much more—that explore a long history of flowers in art.
