Preview Georgie Mattingley’s Creative Intelligence Operation Georgie Mattingley’s exhibition Project Pine Gap explores the intelligence site Pine Gap, co-owned by the Australian Federal Government and the United States, questioning art’s capabilities and function within such institutions. Josephine Mead
Feature Jennifer Kemarre Martiniello’s Glass Acts Telstra National Aboriginal and Torres Strait Islander Art Awards 2025 finalist Jennifer Kemarre Martiniello has spent decades crafting an art practice that weaves together memory, heritage and form. Camilla Wagstaff
Preview Fluid Connections to come together as water is the most recent iteration of Blue Assembly—the University of Queensland Art Museum’s multi-year project exploring our relationship to the ocean. Curated by Freja Carmichael, it calls for First Nations sovereignty over waterways. Josephine Mead
Interview 20 Questions with Natasha Walsh Alchemist and artist, Natasha Walsh’s new solo show, The Window, embarks on a “new beginning” at N.Smith Gallery in Sydney. Anna Carlsson
Feature Jacobus Capone leans into the landscape Offering a “new kind of hope,” Jacobus Capone’s solo show, End & Being, is the inaugural exhibition at the National Centre for Environmental Arts in Halls Gap. Gok-Lim Finch
Feature Tschabalala Self is Figuring it Out A search for beauty is behind Skin tight, the first solo exhibition in Australia for the American artist Tschabalala Self, whose works (on view at ACCA) seek to alter the power dynamic between viewer and subject. Oliver Giles