Sue Lovegrove on the humbling immensity of nature
“Sometimes I think of my paintings as a sound score to the pulse of the landscape.” Sue Lovegrove presents 12 new abstract landscape paintings in her latest show at Gallerysmith.
“Sometimes I think of my paintings as a sound score to the pulse of the landscape.” Sue Lovegrove presents 12 new abstract landscape paintings in her latest show at Gallerysmith.
In the most significant exhibition of his career to date at Pinnacles Gallery, Danish Quapoor explores the contradictory emotions of grief while navigating complex shifts in identity and belonging.
Congratulations to Ellen Dahl, who has won the $30,000 2024 National Photography Prize for her work, Four Days Before Winter, a four-part piece exploring the devastating effects of climate change on the Norwegian archipelago of Svalbard.
A few years back, I started collecting vintage Australian tourist scarves that portray First Nations people as primitive caricatures and noble savages. Now, I own more than ten scarves with images ranging from Western depictions of First Nations art and objects, to Indigenous people in tokenistic scenes.
Two years after Josh Muir’s untimely passing at the age of 30, the Koorie Heritage Trust celebrates his work and legacy in an exhibition co-curated by his mother and partner.
“It’s a call for the celebration of the multiplicity of perspectives, and the gathering of different viewpoints.” Ahead of the Biennale’s opening this weekend, we talk with long-time collaborators Cosmin Costinaș and Inti Guerrero about how this year’s Biennale is one of celebration, not fatalism.