Stillness beyond the still life
The latest in Holmes à Court Gallery’s Collection Focus series looks beyond the still life genre, with 21 artists from across generations offering varied interpretations of stillness in art.
The latest in Holmes à Court Gallery’s Collection Focus series looks beyond the still life genre, with 21 artists from across generations offering varied interpretations of stillness in art.
The National Gallery of Australia is contemplating the complicated legacy of Paul Gauguin through a Polynesian perspective in Gauguin’s World: Tōna Iho, Tōna Ao.
From the NATSIAAs to Kathryn Dwyer, Darwin Festival returns for 2024 with a program that emphasises the breadth of contemporary Indigenous art in the Northern Territory.
Celebrating its 50th anniversary, Arts Project Australia continues to support and advocate for artists with an intellectual disability—while making the art world rethink its most basic assumptions.
Yolŋu musician and artist Wurrandan Marawili is embracing Gunybi Ganambarr’s ‘Found’ movement in a series of etched aluminium artworks, now showing at Outstation Gallery.
Congratulations to Zoe Grey, who has won the $100,000 Hadley’s Art Prize for her work The Shape of Rock, a painting depicting the landscape of her Tasmanian hometown, Marrawah.
The annual South Australian Living Artists (SALA) Festival is a much-beloved, month-long celebration of contemporary art and artists across South Australia—and this year’s feature artist is Julia Robinson.
This week, David Jones announced it is donating its archive to Sydney’s Powerhouse Museum. Objects from the archives are now on display at the former David Jones Art Gallery.
An important, beloved site for Central Australian arts, Araluen Arts Centre is now celebrating its 40th anniversary with a reflective exhibition highlighting its vast collection.
One of Australia’s biggest and most ambitious art fairs is returning to Carriageworks this September with a blockbuster program spanning installations, performance, talks, and an impressive offering from participating galleries.
Nicholas Smith’s sensuous and bodily sculptures speak to the classical history of the form in an installation that is now on display at the Australian Centre for Contemporary Art as part of Future Remains: The 2024 Macfarlane Commissions.
In her latest exhibition at Arthouse Gallery, Belinda Fox invites friends and artists to contribute by reflecting on their sense of home.
GAGPROJECTS, a mainstay of the Adelaide art scene, has announced that the Kent Town space it has operated out of for 32 years will close at the end of August.
Artist books are sometimes treated like exhibition postcards and not much more than mementos, but they grapple with intriguing questions about what to document, and how. Jane O’Sullivan reviews three artist monographs from Elizabeth Newman, Kate Tucker and Louise Haselton, and finds some very different strategies.