Tina Havelock Stevens likes to feel the wind in her hair, which probably goes some way to explaining the generous punk spirit that infuses her multidisciplinary practice, the subject of the exhibition Now is a Beginning at Bathurst Regional Art Gallery.
“I see my work as a research project,” says Agneta Ekholm. “I have a desire to reach into the unknown with each new painting.” Step inside her large-scale abstract paintings at Flinders Lane Gallery.
It feels like everything is slowly but surely being affected by the rise of artificial intelligence (AI). And like every other disruptive technology before it, AI is having both positive and negative outcomes for society. One of these negative outcomes is the very specific, yet very real cultural harm posed to Australia’s Indigenous populations.
There are many parallels between skin and painting. “Paint is a thin skin on a surface—a layer that transmits ideas into the world,” writes Jennifer Higgie in Thin Skin, the accompanying publication to a 2023 exhibition featuring paintings by thirty-six Australian and international artists.
Buoyed by the power of love and the spirit of artistic invention, Mostafa Azimitabar’s new solo exhibition at Maitland Regional Gallery turns dehumanising narratives on their head.
Bruce Johnson McLean, one of Australia’s leading voices on First Nations art, has been appointed the Fondation Cartier pour l’art contemporain First Nations curatorial fellow for the next Biennale of Sydney. Steve Dow talks with Johnson McLean on his storied history, and what he hopes to achieve in the 2026 Biennale.
Curated by cross-disciplinary art collective KINK, the Institute of Modern Art’s You Are Here Too is an homage to–and expansion of–one of the most significant shows in the history of queer Australian art, thirty-three years on.
A lavish exhibition adorning Bunjil Place Gallery, in a major partnership with the National Gallery of Victoria, presents over 150 historical and contemporary works—spanning painting, fashion, installation, and so much more—that explore a long history of flowers in art.
Cats & Dogs, now showing at the National Gallery of Victoria, explores the ways that the relationships we share with our pets are a source of strangeness and intimacy. But for Giselle Au-Nhien Nguyen, it’s also an exercise in the power of seeing and being seen.
Mitch Cairns’s latest solo exhibition Restless Legs, now showing at the Art Gallery of New South Wales, draws on symbols—from literature, mythology, nature, and home life—to find new pathways into painting.
Virtuosic digital artistry is on show in Serwah Attafuah’s installation The Darkness Between the Stars, currently showing at ACMI.
A major retrospective at the National Gallery of Australia in Canberra sheds light on the legacy of Anne Dangar, featuring over 180 objects that position her as a pioneer in European Cubism and Australian abstraction.
The theme for the 10th iteration of Parrtjima, the Aboriginal festival of light that takes place annually in the Northern Territory, is ‘timelessness’. The festival aims to reflect Indigenous culture and beliefs: both ancient knowledge and contemporary concerns.
In a new photography exhibition at the Immigration Museum, Nigerian-Australian photographer Dr Ayooluwatomiwa ‘Ibukun’ Oloruntoba is exploring what it means to be African-Australian, while highlighting the importance of culturally safe spaces for diasporic communities in Australia.
Artists have long been consumed with what we eat, seen appetites as a metaphor for nourishment and vulnerability. But as Lee Tran Lam finds out, the new wave of collaborations between the worlds of art and food signals a growing cultural desire to break down barriers—and forge new connections in unexpected ways.
