Far from being a clunky display of papier-mâché heads and oil paintings of flowers, the contemporary Year 12 art exhibition incorporates multiple artforms produced with impressive technical skill.
Through a range of forms including sculpture and video, four artists from East Asia, Australia and New Zealand look at surveillance, artificial intelligence and the economies that drive, and are driven by, the global technology market.
Zoe Freney spoke to Freeman about her interest in everyday objects of mourning and loss, the ability of clay to hold memories, and her use of the brittle poetry of ceramics to create vessels that hold time, space, legends and tears.
The Indigenous artist took out the annual $100,000 prize for landscape painting with his densely layered canvas titled Four Dreamings.
There is a fascinating duality at play in Lewis Carroll’s darkly absurd masterpiece, which is not lost on Launceston-based artist Junko Go.
Delving into the archives at State Library of Victoria, Höflich will research magical practices as ways of measuring and predicting, in response to a culture shaped by digital algorithms.
First-time curator Andrew Atchison focuses an inquiry into queer abstraction, challenging how we comprehend and view queer art.
Steve Dow looks at a number of artists who see VR as loaded with both hope and fear.
Floyd translates politics and philosophy through a cast of anthropomorphic sculptures.
The influence of music, particularly classical, jazz and instrumental music, flows through Bakker’s solo show Resonant Forms.
Sydney University has launched a portal about the remote Ngaanyatjarra world, created in consultation with the community, its contents approved by elders.
JamFactory curator Caitlin Eyre explores the Barossa region’s long-standing connection to Germany in Kinder, Küche, Kirche: Revisiting the Traditions of Barossan Women’s Folk Crafts.
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