White Rabbit Gallery’s latest multimedia exhibition, A Blueprint for Ruins, explores the ongoing destruction and renewal of urban spaces in modern China, with works from over 20 contemporary Chinese artists.
A new exhibition at Tweed Regional Gallery has preserved the relocated studio of Australian painter Margaret Olley, with her work providing inspiration for a new series of paintings by Mirra Whale, India Mark and Laura Jones.
Yhonnie Scarce, a Kokatha and Nukunu artist, has emerged in recent years as one of Australia’s most significant contemporary artists. Yhonnie Scarce: The Light of Day, at the Art Gallery of Western Australia, curates a survey of significant works by Scarce from the last few years.
With over 60 booths presenting, this year’s Melbourne Art Fair doesn’t centre glitz or glam, but glimpses into sci-fi, realism, vibrant colour and Indigenous connections to land. Our editors have rounded up their top picks.
“Everybody has their own sense of truth.” The acclaimed photographer Steve McCurry, particularly known for his iconic photograph of an Afghan girl with green eyes which featured on the cover of National Geographic, has been travelling and documenting the world for over 40 years.
Nadine Christensen’s survey exhibition at Buxton Contemporary spans more than two decades of her practice, bringing together 80 works that explore the quotidian with substantial depth and humour.
With a current survey exhibition at Rockhampton Museum of Art chronicling 23 years of painting and photography, Julie Fragar talks about creative influences and what it’s like to observe a Supreme Court murder trial.
With art fairs nationally posting record results in 2023, this week’s Melbourne Art Fair is now a yearly summer fixture. With over 60 galleries and Indigenous art centres hosting solo showings, this year’s theme is Ketherba/Together.
The new queer photography festival Queer PHOTO takes over Melbourne’s West, featuring the likes of Peter Waples-Crowe, Salote Tawale and Karla Dickens.
Now showing at Sullivan+Strumpf Melbourne, the second solo exhibition from Dhopiya Yuŋupingu draws on the shared histories between the Yolŋu and the Macassans.
George Byrne’s artwork has an otherworldly quality to it, blurring the lines between natural and artificial through photography, collage, and digital manipulation. His latest exhibition, Synethetica, is now showing at Olsen Gallery.
This Mess We’re In at QUT Art Museum spans three collections of Pat Hoffie’s lengthy career. The thread that runs between them is the unpredictable nature of life and all it contains.
A few years back, I started collecting vintage Australian tourist scarves that portray First Nations people as primitive caricatures and noble savages. Now, I own more than ten scarves with images ranging from Western depictions of First Nations art and objects, to Indigenous people in tokenistic scenes.
Archie Moore has revealed a deep dive into his family’s history for his holographic map of identity, kith and kin, as Australia’s entry in the 2024 Venice Biennale.
“I’m drawn to things that are broken, lost, missing, unfinished, in transition.” In this insightful interview artist Diana Baker Smith talks about creating her latest graphic score at the Perth Institute of Contemporary Arts.
