A survey exhibition spanning the 30-year practice of Jennifer Mills brings together bodies of works grounded in precision and tenderness at Bunjil Place Gallery.
‘North Terrace: worlds in relief’ showing at Samstag Museum of Art, invites viewers to reflect on the complicated legacies of the cultural institutions that line Adelaide’s North Terrace.
Grace Wood’s new exhibition for Heide Museum of Modern Art intertwines personal, familial, and artistic archives. Consisting of textile and digital collage, Wood traces lines of inheritance and influence to position the garden as a site of both personal and artistic cultivation.
In the cavernous spaces of Hobart’s Museum of Old and New Art, the large-scale kinetic sculptures of Arcangelo Sassolino are teetering on the brink.
At the City of Coffs Harbour’s Yarrila Arts and Museum (YAM), science meets speculation in the liminal space between nature and the human world.
The Darwin Aboriginal Art Fair (DAAF) celebrates 19 years of bringing local and international audiences together on Larrakia Country.
The everchanging nature of what constitutes a home is celebrated and explored in Boundaries: Transcended, now showing at the Bank Art Museum Moree.
In a world in which the new wave of AI is reframing our relationship with creative labour, how do artists negotiate an impending crisis of relevance and understand the true value of their work? Stephanie Wood reports.
Over the past two decades, Sue Kneebone’s practice has threaded together found materials and archival information to consider the impact of settler colonialism on the landscape of South Australia. Kneebone’s exhibition at Adelaide Central Gallery is a nod to her great-great-grandfather and the “trans-oceanic” legacies braided into his story.
Arwin Hidayat’s TERNYATA AKU MASIH BERBAHAS (It Turns Out I’m Still Breathing) at Mitchell Fine Art, presents a lifetime of visual storytelling, experimentation and curiosity.
The central life-giving gesture of the breath is at the core of Max Athans’ first institutional solo exhibition. Their series of sculptures, collectively titled Breathform, take air into latex ‘lungs’ which create a whistle in the exhale, a deep breathy sound that echoes eerily through the galleries.
Evie Adasal’s show Light and Space unveils a series of works that look at the intersection of design, light and space at The Garden Gallery in Sydney.
At 90, Janet Dawson has spent a life drawn to the light and energy of the natural and celestial worlds as she crosses boundaries of abstraction and figuration. A retrospective at the Art Gallery of New South Wales charts the evolution of her practice.
Over 70 fabulous garments of exquisite craftsmanship – some made of silk with gold and silver embroidery and dazzling designs – have been assembled within a context of over 150 paintings, posters, wood block prints, magazines and decorative arts. Although many of the items have never been previously exhibited in Australia, most are now in the collection of the National Gallery of Victoria, with many specifically acquired for this exhibition.
A new exhibition at Buxton Contemporary finds a rich complexity in the shadowy terrain between life and death.
