Review
Solidarity: Inscriptions for the future
According to the exhibition room sheet, the word solidarity in the title was an invitation to “walk together.”
According to the exhibition room sheet, the word solidarity in the title was an invitation to “walk together.”
The expanse of the sublime and the particular exactitude of botanical studies are present in Valerie Sparks’s immersive wallpaper installations of a hybrid Australian landscape.
In the exhibitions Barkindji Blue Sky and Unvanished, Melbourne based Barkindji man Kent Morris uses digital photography to illustrate how Indigenous culture adapts to change.
Rolling out across Adelaide in October, Tarnanthi, an annual platform for contemporary Aboriginal and Torres Strait Islander Art, features an art fair, exhibition and festival this year.
Post-humanism anticipates a future in which bodies are enhanced, replaced or surpassed, and in which the status of ‘person’ isn’t defined by species or carbon-based physicality.
Sydney-based artist Merran Esson has won the $20,000 acquisitive award in the Woollahra Small Sculpture Prize 2019. Her ceramic work Autumn on the Monaro will become part of the permanent collection at Woollahra Council.
Olga Bennett is a Moscow-born, Melbourne-based artist whose practice encompasses an array of mediums that are united by the artist’s keen enquiry into the idea of knowledge.
On winning Katrin Koenning said, “If one of the roles of the artist is to engage critically with the times in which they live, winning the Bowness enables me to continue doing so. I could not be more thankful, or more proud.”
Varia Karipoff recommends Grace Wood: A Weird Kind of Fiction-Consumption at Lon Gallery.
Looking for some recommendations? Our panel of art insiders share their thoughts on what to see this month.
Chris McAuliffe recommends Riley Beaumont: Quixotic Indifference at Australian National Capital Artists Gallery.
Looking for some recommendations? Our panel of art insiders share their thoughts on what to see this month.
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