With a practice spanning three decades, Louise Weaver is a Melbourne based artist who works across painting, printmaking, sculpture, installation, sound and photography. Yet it’s for her sculptures of meticulously crochet encased animal forms and branches—which she began developing in the 1990s—that she has become most well-known.
As the fascination for seeing artists at work grows, galleries are creating opportunities to view the creative process in real time.
Given the growing spectre of man-made global warming, artist Amrita Hepi says it is important to consider First Nations knowledge of land and sea.
For the Manly Dam Project, the third in a series in which artists work with scientists, senior curator Katherine Roberts has invited eight artists to respond to cultural, environmental and historical themes associated with the area.
In her solo show Losing Home, Finding Home, Mika Nakamura-Mather examines both the fragmentary nature of memory and the quest for belonging.
At the heart of the group exhibition FEM-aFFINITY is intersectional, inclusive feminism.
Fostering a relationship between art, architecture and design is the long-term goal of the Lyon Housemuseum Galleries.
In Tama Sharman’s practice, the world is animated and dark sepia spirits roam as he creates works that involve personal stories, both factual and fictional.
I’ve always approached Primavera, the MCA’s annual showcase for artists aged 35 years or younger, less like a novel and more like a box of chocolates. In other words, rather that looking for a clear narrative I enjoy dipping into a mixed bag of treats.
A Country Practice was a much beloved television series from the eighties, filmed in and around the Hawkesbury region. Hawkesbury Regional Gallery curators Rebecca Turnbull and Diana Robson have brought together a selection of archived film, scrapbooks, costume props, vintage knitting patterns and original sketches for the exhibition The Wonders of Wandin Valley.
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