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Make the World Again
Weaving is synonymous with world-making. In numerous cultures, the loom is a metaphor for creation; a person’s life often represented by a spun thread.
Weaving is synonymous with world-making. In numerous cultures, the loom is a metaphor for creation; a person’s life often represented by a spun thread.
Constructing Landscape: urban visions reflects a new chapter in the nation’s consideration of how the urban environment might be represented.
The Blade explores the Australian history of lawn from kangaroo grass to the footy field; the scythe to the electric mower; the suburban Hills Hoist to the sweeping verdure of state buildings.
Developed by the Dax Centre, an institution which focuses on using art to reduce the stigma surrounding mental health issues, Child and Mother is an exhibition reflecting on childhood trauma, motherhood and the relationships we form.
Featuring Aboriginal artists Judy Watson and Yhonnie Scarce, Looking Glass brings together beautiful objects with a sting in the tail.
Wrestling with both excessive consumption and planned obsolescence in technology, New for Old takes as its starting point the cathode-ray tube TV.
Megan Evans challenges the privileges enshrined by whiteness while untangling the complexities of living on stolen land.
This year’s Sydney Festival has defied the odds, opening with a focus on an entirely ‘Australian Made’ program.
As the fascination for seeing artists at work grows, galleries are creating opportunities to view the creative process in real time.
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