David Fairbairn’s deeply felt, emotive portraits are a soulful meditation on ageing and companionship. These are perhaps long-time themes for the widely respected artist, yet in moving from single portraits to double portraits for Drawn Together, he has brought new dimensions to his ongoing study of intimacy. For him, the process of creating portraits with two subjects allows “more scope for a psychological examination and interaction between the personalities”.
In some of Fairbairn’s recent works, for the series Double Lives, the two subjects depicted are none other than Fairbairn himself and his partner, the artist Suzanne Archer—the drawings became an exploration of new emotional ground.
“I believe it is not that common for a male artist to express the intimacy of a relationship in a substantial body of drawings, paintings and prints,” says Fairbairn, who lives and works in Wedderburn, New South Wales. “While I have made works [that feature] my partner extending back to the early 1980s, this is the first time I have made work that includes both of us in such personal poses. What distinguishes these works is the familiarity and unique insights generated by a relationship that extends back more than three decades.”
While these particular drawings are rooted in Fairbairn’s personal life, there is an undoubted universality to the exhibition. One can’t help being affected by the softness and vulnerability that Fairbairn channels through his figures. “The works are intensive and obsessive observations of ordinary men and women in their later years,” he says. “Many of them evolve over a long period of time, mimicking the same checks, adjustments and redirections as the lives of the sitters. They also reflect my own ageing process and pose many larger questions about the nature of mortality.”
Drawn Together
David Fairbairn
Hawkesbury Regional Gallery
5 August—16 October
This article was originally published in the July/August 2022 print edition of Art Guide Australia.
65,000 Years: A Short History of Australian Art is an extraordinary account of the unique art of this continent, published alongside a landmark exhibition at the Potter Museum of Art. Necessary and urgent, it tells the story of Indigenous Australian art; a new art history unlike anything we’ve seen. For Jane O’Sullivan, it’s a remarkable and must-read book.
In a new series of illustrated postcards available as a free gift with purchase only at the Art Guide Bookstore, Oslo Davis takes on classic and contemporary art terms and genres and reimagines what they could be referring to.
With so much to choose from, we’ve rounded up the major summer exhibitions in each capital city, open all summer long. Spanning Yayoi Kusama, Magritte, the Asia Pacific Triennial of Contemporary Art, and many more.
Isaac Julien’s 2022 video work Once Again…(Statues Never Die) exposes the unseen emotional registers inherent to the struggle for colonial repatriation by mapping the places where poetics and politics intersect.
Now showing at Home of the Arts (HOTA), the sophomore Gold Coast Triennial, Here and Now, brings together 42 contemporary artists to represent the depth and dynamism of the city’s artistic community.
Ahead of the National Gallery of Victoria’s major retrospective on singular Japanese artist Yayoi Kusama, we invited four artists to respond to the influence of Kusama on their own practice—and meditate on what her work means to them.
